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...Kearns John M. Cooper Stanley Hoffman Daniel Field Robert Jervis John Rawis Max Krook John Raduer George Wald R. A. Cone Daniel Horowitz Kenneth J. Arrow Roger Rosenblatt Micheal Walzer Robert G. Gardner Morton White Owen Gingerich Roy J. Glauber Martin Karplus Gerals Holton Sydney Colemana Mark Ptashne Roderick Firth Gwilym Owen Earl Kim Stanley Cavell Paul Cocks Francis Hutchins Alex Inkeles Thomas E. Crooks J. D. Watson Y. C. Ho Robert P. Burden Richard Cone Ralph Mitchell Howard C. Rachlin John Raper George Fix Nathaniel Carleton Abraham Flexer Peter Persham James C. Thomson Johan Hellebust Myron B. Fiering Charles...

Author: NO WRITER ATTRIBUTED | Title: RATIONALITY AND COMPASSION | 4/15/1969 | See Source »

Senelick's translation captures the three-part style of the play in its diction. The gentry speak standard Chekhov, Victorian dialect. The upwardly mobile Lopakhin (Ken Tigar), sweet, young Anya (Carolyn Firth) and occasional flunkeys speak a slangy, colloquial tongue, fresh and awkward; while a pod of surrounding actors, led by the shlemielesque "perennial student" Trofimov (Lloyd Schwartz), with his utopian panegyrics discoursed of Yepikhodov, talk a well-tuned language of parody and farce. None of the specific lines of the translation is, as they say, memorable--Senelick's staging eye works better than his ear--but they are smooth...

Author: By George H. Rosen, | Title: The Cherry Orchard | 3/22/1968 | See Source »

...first-act "Dat's vhy"--he spoke clearly, firmly, strongly and wrongly in a kind of Laurence Harvey accent that disappeared only when his acting instincts carried him away. And Lloyd Schwartz's charming enthusiast Trofimov, who ended the first act in an exquisitely naive love scene with Miss Firth, seemed afterwards unsure how to time and blend his seriousness and humor...

Author: By George H. Rosen, | Title: The Cherry Orchard | 3/22/1968 | See Source »

...strong and charming Rosalind, playing her maturation for good laughs and better audience identification, emphasizing the quick intelligence of Shakespeare's heroine. Danius Turek is a triumph of physical casting as Orlando, a huge, handsome, stereotype sweetheart, his readings and emotional range consistently pleasing. As portrayed by Carolyn Firth, Celia is at once acid and naive, and such a fine foil to Rosalind that their scenes together continually spark the show. ames Burt is a good Touchstone, if a strange one--his line readings are often incredibly fast, his hand gestures are always excessively generous, but his physical agility...

Author: By Peter Jaszi, | Title: As You Like It | 12/9/1967 | See Source »

...billion in capital has flowed in since World War II, and Scotland has outpaced the rest of Britain in its industrial growth rate for three years. In Fife, for example, U.S. and British electronics manufacturers have built more than 100 new factories in a California-type complex along the Firth of Forth. Today Scotland turns out more electronic computers than any other country except the U.S.; Scots generate more electric power per capita with nuclear reactors than any other country...

Author: /time Magazine | Title: Scotland: The North Rises Again | 11/10/1967 | See Source »

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