Word: fischer
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London: William Mader, Anne Constable Paris: Frederick Ungeheuer, Margot Hornblower, Edward M. Gomez Brussels: Adam Zagorin Bonn: James O. Jackson, Daniel Benjamin Central Europe: John Borrell Moscow: John Kohan, James Carney, Ann M. Simmons Rome: Robert T. Zintl Jerusalem: Jon D. Hull Cairo: Dean Fischer, William Dowell Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Jaime A. FlorCruz Southeast Asia: Richard Hornik Hong Kong: Jay Branegan, David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Latin America: John Moody Mexico City: Laura Lopez...
London: William Mader, Anne Constable Paris: Frederick Ungeheuer, Margot Hornblower, Edward M. Gomez Brussels: Adam Zagorin Bonn: James O. Jackson, Daniel Benjamin Central Europe: John Borrell Moscow: John Kohan, James Carney, Ann M. Simmons Rome: Robert T. Zintl Jerusalem: Jon D. Hull Cairo: Dean Fischer, William Dowell Nairobi: Marguerite Michaels Johannesburg: Scott MacLeod New Delhi: Edward W. Desmond Beijing: Jaime A. FlorCruz Southeast Asia: Richard Hornik Hong Kong: Jay Branegan, David S. Jackson Tokyo: Barry Hillenbrand, Seiichi Kanise, Kumiko Makihara Ottawa: James L. Graff Latin America: John Moody Mexico City: Laura Lopez...
Most of our people were on the move. Cairo bureau chief Dean Fischer interviewed General Norman Schwarzkopf at his Riyadh headquarters and recalled the time last September when the general told him the terrain was ideal for % tank maneuvers. From Cairo, senior correspondent James Wilde reported a mood of apprehension mixed with relief; during the ground war the city was "tense to bursting." Not all our correspondents have war-zone stories to tell. Robert T. Zintl, whose job has been to coordinate the flow of all briefings and pool reports, found the enemy, and it was Arabic street signs...
...Austria; it was a huge, random anthology of the achievements of German Expressionism. Everything came from German museums, since the idea was to show how the official public culture of Germany had been infiltrated by Modernism. At the end of the show, whatever seemed salable was auctioned by the Fischer Gallery in Switzerland. Minor or unsalable works were destroyed. The whole affair was an elaborate purification rite, art's equivalent to book burning...
Frank Fronhoffer(H) d. Michael Fischer...