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Word: fischers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...flagpole in the courtyard of the 13th century stone barn, the black, red and gold stripes of Germany flew above the red hammer and sickle of the Soviet Union. It was a tribute to German Baritone Dietrich Fischer-Dieskau, by all odds the world's finest lieder singer, who was to perform in the barn during the Touraine Festival in central France. It was also an act of self-effacement by Fischer-Dieskau's accompanist, Soviet Pianist Sviatoslav Richter, who has made the rustic, four-year-old festival his own showcase...

Author: /time Magazine | Title: Music: Grand Encounters | 7/14/1967 | See Source »

Having performed with him before, Fischer-Dieskau was already acquainted with Richter's modesty. But even he was impressed when Richter insisted on turning the piano so that he could face the singer-with his back to the audience. Said Fischer-Dieskau: "I know of no other player who would have done this...

Author: /time Magazine | Title: Music: Grand Encounters | 7/14/1967 | See Source »

...Thursday Afternoon Lecture Series: Wolfram Fischer, professor of economics and social history, Free University of West Berlin, on "Germany and the Great Depression." Emerson Hall...

Author: NO WRITER ATTRIBUTED | Title: Summer School Calendar | 7/3/1967 | See Source »

...indexing the papers was begun by a team under Columbia's George Fischer, but much remains to be done, and the library still has a man spending part of one day each week working on the archives. The open section is now divided into three units: the Soviet Correspondence, the Works, and the Ephemera. Much of the collection consists of letters--for example, a letter from Lenin to Trotsky dated December 13, 1918, marked "Urgent--Top Secret." The letter deals with military affairs. In addition to the letters and the manuscripts of many of his books, there are also clippings...

Author: By Gerald M. Rosberg, | Title: LEON TROTSKY'S PERSONAL PAPERS | 7/3/1967 | See Source »

Leonard Bernstein, in a guest appearance with the Vienna Philharmonic (London), gives a turbulent interpretation that shows his affinity for Mahler. But Tenor James King sounds a bit forced, and the second soloist is a baritone instead of the usual, complementary mezzo-soprano. However, that baritone is Dietrich Fischer-Dieskau, and his 30-minute Farewell is a perfect fusion of poetry and song...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Jun. 9, 1967 | 6/9/1967 | See Source »

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