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...Eliot Fisk...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

Classical guitarist Eliot Fisk's recital at the Isabella Stewart Gardner Museum on Sunday featured a slew of technically challenging if not particularly expressive guitar works and transcriptions...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

...avid proponent of new music, Fisk brought works ranging from Scarlatti to Rochberg to his program. In doing so, he demonstrated the guitar's unique position as a middle ground between the harpsichord and the violin; the guitar's strings are plucked like the harpsichord's, but it has a fingerboard like a violin. As a result, classical guitarists can create a wide variety of effects culled from the repertoires of both instruments...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

...Fantasia-Sevilliana by Joaquin Turina, Fisk's instrument immediately filled the Gardner's tapestried concert hall with its booming sound. The Turina, a work from this century, evokes traditional images of bull-fighting and Spanish dancing. Luigi Boccherini carried these ideas back to Italy more than a century before with his own guitar works...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

...number one selection. So many plays ran through my mind: Flutic's Hail Mary pass, Bobby Thomson's homer, Fisk's homer, Rumeal Robinson's freethrows, to name just...

Author: By Johnny C. Ausiello, | Title: Blood, Guts and... | 12/2/1994 | See Source »

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