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Word: fisted (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...hours in a turbulent Chamber of Deputies, Palmiro Togliatti's Communists and Pietro Nenni's fellow-traveling Socialists tried to block Premier Alcide de Gas-peri's request for permission to accept the Western invitation. "You buffoon! You infamous one!" screamed Togliatti at De Gasperi. Mass fist fights spotted the debate. Infuriated Communists brandished chairs, hurled desk drawers. One partisan jumped across four benches, tramped on the heads of his comrades as he dived viciously into the fray. Outside, in the streets of Rome and other cities, Marxists yelled "Peace! Down with war!" and led demonstrators against...

Author: /time Magazine | Title: THE NATIONS: A Wider Roof | 3/28/1949 | See Source »

...said, "a Communist woman was sentenced to death. She had declared herself an atheist. On the eve of her execution a nun convinced her she should confess and partake of the Holy Sacrament. Yet later, as she stood before the firing squad, that same woman raised her clenched fist to the sky and cried out: 'Viva Rusia...

Author: /time Magazine | Title: Religion: Liberals in Spain | 3/28/1949 | See Source »

...object of all this billingsgate is a devoutly religious-and highly litigious-Quaker who has never been known to fire a shot, lift his fist, or even raise his soft voice in anger. Andrew Russell Pearson is a tall, tweedy, disarmingly mild-mannered fellow, with thinning light brown hair, a sparse mustache and earnest mien; he looks like a shy, quizzical cow college professor-except for his wary blue eyes. The mild manner camouflages a tough, diamond-hard core. And his casual clothes, his innocuously small-town look serve him well in Washington's lower echelons, where many...

Author: /time Magazine | Title: The Press: Querulous Quaker | 12/13/1948 | See Source »

...from Colorado has no more humor than a lawyer's shingle, but it has suspense and some exciting shots of fist fights and burning houses. All in all, it is a better than average horse opera...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 6, 1948 | 12/6/1948 | See Source »

When he speaks, he seems to be in agony of intensity. First his fist presses the table until he almost puts his entire weight on it; later his fingers grasp air with tenseness and tautness--early with violence. These mannerisms aren't superficial. They come out of a terrific absorption in ideas. They come out of an effort to express those ideas clearly, completely, and precisely. And Hartz is so successful in this effort that his audience laughs, not because what he says is funny, but because it is so perfectly right. The laughter comes form aesthetic satisfaction...

Author: By Joel Raphaelson, | Title: Off The Cuff | 12/1/1948 | See Source »

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