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...show--a Cold War story of totalitarianism--giving the Villagers numbers made chilling sense as a dehumanizing, de-individualizing device (and 40 years ago, played a tad more original). But for The Prisoner's new dystopia, which seeks to control minds more than imprison bodies, it doesn't quite fit. One would think the Village's happy-faced thought control would try to create the illusion of individuality--as with the mind-wiped servants in Joss Whedon's Dollhouse, who are given names and false identities. For all the reimagining, The Prisoner seems beholden to a 20th century idea...

Author: /time Magazine | Title: The Prisoner Review: A Pretentious Reimagining | 11/23/2009 | See Source »

...proceedings as the literal backdrop for Benedict’s welcoming speech. Yet during the heady days of mid-17th century Italy, around the same time that Galileo had his feet held to the fire for his dangerously newfangled Copernican views, Michelangelo was accused of creating work more fit for a public bath than a place of worship. One artist was even hired to paint a loincloth over the offending genitalia...

Author: By Jessica A. Sequeira | Title: The Art of the Matter | 11/23/2009 | See Source »

...women welcome five new fencers to the team this year, boasting one of Harvard’s youngest squads ever. But it seems like the freshmen fit right in, bringing talent and a breath of fresh air to the reigning Ivy League champions...

Author: By Melissa Schellberg, CRIMSON STAFF WRITER | Title: Three Medal in Penn St. Open To Kick Off Season | 11/23/2009 | See Source »

...says that he stumbled upon the contest by chance and entered because Rover was already built and the contest was a natural fit...

Author: By Michelle B. Timmerman, CONTRIBUTING WRITER | Title: Student IPhone App Wins Prize from AT&T | 11/20/2009 | See Source »

...Playing the Brahms concerto in Germany—Brahms’ homeland—was a challenge for me because I am Japanese-American and have a heritage that has nothing to do with Germanic or Austrian music. But I could immediately tell [the music I was playing] just fit there. It was just natural for the audience and the orchestra. It was the same playing a Paganini Concerto with an Italian orchestra and Lorin Maazel. I felt like I was just playing by myself because they were so put together...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: SPOTLIGHT: Ryu Goto '11 | 11/20/2009 | See Source »

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