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...wanted to reopen the Pir Mohammed School more than Jeremiah Ellis. He had worked on it for months; he figured it would be Dog Company's legacy in Senjaray. It fit perfectly into the Army's new counterinsurgency doctrine: protect the people, provide them with security and government services, and they will turn away from the insurgency. Unlike many of his fellow officers in Zhari district, and many of the troops under his command, Ellis really believed in counterinsurgency (COIN) doctrine...

Author: /time Magazine | Title: Afghanistan: A Tale of Soldiers and a School | 4/15/2010 | See Source »

...once advised to get a nanny so I could do more work,” one of the nine who chose to leave the Business School says. “A woman can fit the mold and pretend to be one of the men and sacrifice family life—but if they want to do both, it’s harder...

Author: By Tara W. Merrigan and William N. White, CRIMSON STAFF WRITERS | Title: Harvard Business School Grapples With Gender Imbalance | 4/14/2010 | See Source »

...attention and look appealing under bright lights. “You need to put forward confidence; there’s a certain beauty in it,” Shelton explains. Every ballroom style has its own character that requires performers to act to the music, so costumes help dancers fit the parts. “You play a role of elegance and high class for Standard and a role of sex appeal for Latin,” Perez-Moreno says. These extravagant costumes require dancers to spend exorbitant sums of money to stay on top of their appearances?...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

...skill levels. Three professional coaches teach dancers at the syllabus stages until they become proficient enough to dance at a more independent “open level.” These coaches typically create the syllabus-level routines, but some partners choose to choreograph themselves with moves that fit their stages...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

...control, synchronization, and musicality—all of which highlight the hybrid aspects of the art. In ballroom, there are four principal aspects: musicality, beauty and technique, partnering, and speed and power. Musicality—or a dancer’s capacity to interpret the music through motions that fit the mood and rhythm—shifts these competitive dances from a sport to an art form. A competitive dancer should not just be robotically performing moves; there needs to be emotion behind every figure...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

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