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Word: fittings (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...people of this country, a false and dangerous sense of security will be created. Mr. Chester and Mr. Weir would do the U.S. a great service by giving attention to piloting their own corporations through the troubled days that lie ahead, and ceasing their elumsy attempts to fit a pair of rose-colored glasses to the noses of the American people...

Author: NO WRITER ATTRIBUTED | Title: SMOKE SCREEN | 10/31/1939 | See Source »

...ripping vigor and angularity of this type of movement which removes Roussel somewhat from the spirit of the traditional French school. His ruggedness does not fit in with the extreme subtlety and delicacy of composers like Debussy. Ravel, and even Honegger. The difference in style is not surprising when one considers Russell's musical background. Though he spent much of his life in Paris, he was not a member of the Conservatoire, where almost all French musicians of the first rank have received their training. He was drawn farther away from traditional lines by the exotic influence of the music...

Author: By L. C. Holvik, | Title: The Music Box | 10/24/1939 | See Source »

From his regular 45-minute morning constitutional on Park Avenue, Herbert Hoover returned one day last week to his Waldorf-Astoria sitting-room suite, summoned the press. He had polished up a 1932 idea to fit the exigencies of the Great Debate on U. S. neutrality...

Author: /time Magazine | Title: THE CONGRESS: Brass Tacks | 10/23/1939 | See Source »

...haloed Negroes smiling down at the flames, to Sascha Brastoff's boneless, bulbous, button-mouthed females, Emergence and Timid Maiden (see cut), who look like a pair of praying mantises. Ceramist Brastoff's figures, tastefully mounted on bases of grey velvet and satin, won a sculpture prize. Fit for the flossiest mantelpiece were such lively pieces as Annie Laurie Crawford's Dancers Martinique, Carl Walters' blue Hippopotamus...

Author: /time Magazine | Title: Art: Mantelpiece Art | 10/9/1939 | See Source »

...earth upon which we walk and the lives which we lead. Consequently, since art is in the process of adopting us, it is only fair that it adopt, to some extent, the ethical pattern within which we exist. Despite the fact that Epstein's interpretation of ADAM does not fit our own pattern of ethics, it still remains a solid contribution to the advancement of culture because of its thought-provoking nature. Art regains health and circulation after just such brisk intellectual rubdowns...

Author: By Jack Wilner, | Title: Collections & Critiques | 10/9/1939 | See Source »

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