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...Daniel Fitzgerald, manager of Central CopyService, said he does not use recycled paperbecause it is 20 per cent more expensive than"virgin paper." But he added that no major paperhouse has ever offered him recycled products...

Author: NO WRITER ATTRIBUTED | Title: Paper Glut Ups Costs To Recycle | 10/7/1989 | See Source »

...stabbing his main antagonist, Jimmie gains respect as a "stand-up guy." He does not let anyone push him around. And in a parallel to her husband's growth, Kate learns to stand up for herself. After Jimmie's arresting officers harrass her, she complains to their superior, Lt. Fitzgerald, credibly played by Badja Djola. Kate riles Fitzgerald to action by claiming his underlings slandered...

Author: By Gayle BETH Fenster, | Title: Until Proven Guilty | 10/6/1989 | See Source »

...just about impossible. The trouble is that the two centers of power have completely different visions for Atlantic City. At one extreme is Trump, who believes Atlantic City should be turned into a giant nonresidential entertainment park on the scale of Disneyland. At the other extreme is Benjamin Fitzgerald, the city clerk since 1985. "Does Trump think people in Atlantic City are going to be just like lemmings and go to the sea and drown?" asks Fitzgerald. "This is an industry that spends over $70 million a year in complimentary food, liquor, rooms, limousines and helicopters. Why can't they...

Author: /time Magazine | Title: Atlantic City, New Jersey Boardwalk Of Broken Dreams | 9/25/1989 | See Source »

...where everyone stops by "just to wet the baby's head," Eileen's pal Micky (Debi Jones) sings an effervescent Buttons and Bows, and Eileen pours her own seething frustration into a passionate rendition of I Wanna Be Around to Pick Up the Pieces. The musky wisp of Ella Fitzgerald's Taking a Chance on Love helps explain the mother's fatalistic refusal to leave her man. With its irresistible airs in eerily ironic settings, Distant Voices, Still Lives is the first great sing-along horror movie...

Author: /time Magazine | Title: Cinema: Family Ties | 8/14/1989 | See Source »

Hwang is keenly aware of the F. Scott Fitzgerald dictum that American lives have no second acts, that youthful success leads to mid-life burnout and embitterment. A few months after M. Butterfly opened, he and avant-garde composer Philip Glass mounted 1000 Airplanes on the Roof, a multimedia oddity that proved too abstruse for the masses yet too tabloid for intellectuals; it centers on an apparent close encounter with aliens from space. In multiple productions it showed scant commercial potential. In addition to the screenplay for M. Butterfly, which Hwang will write himself, he is working on three other...

Author: /time Magazine | Title: DAVID HENRY HWANG: When East And West Collide | 8/14/1989 | See Source »

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