Word: fitzgeralds
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Dates: during 1970-1979
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...Gertrude Stein and Scott Fitzgerald who christened the period. The hackneyed phrases "lost generation" and "The Jazz Age" still seem very real and important to Americans--the despair and romance of American letters in the '20s and early '30s continues to fascinate. Americans have eagerly poured over biographies of Fitzgerald, Hemingway, Thomas Wolfe and the like. Of the man who went so far toward establishing the reputation of these writers, however, little was known save scraps of stories and legends. Now, Scott Berg's biography goes far toward illuminating the life of Maxwell Perkins, an editor for Scribner...
...third-place finish in September. Replacement series now in production will not be ready until January, when Silverman will have new-and no doubt better-material to choose from. He has ordered up roughly 40 pilots since taking over the network in June. In the meantime, explains Dancer Fitzgerald Sample's senior vice president Lou Dor kin, "Silverman has to work with what he's got. He has to stunt like crazy and cause as much confusion as possible until his own series are ready to go into place...
...highs and lows that drive a narrative along. By choice, he did exactly the same thing every working day for 32 years: he sat in the New York City offices of Charles Scribner's Sons and nurtured the talents of others. Because three of those were F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, all of whom put their private lives in open books, Perkins' reputation as a remarkable editor passed beyond publishing circles and made him modestly famous. He did not like it. "An editor," he said repeatedly, "should strive for anonymity...
Berg includes far too many familiar anecdotes about the depressions and binges of Perkins' famous authors. A law should be passed, in particular, banning any retelling of the booze-soaked Fitzgerald legend for at least 30 years. But it is easy to see why Berg had to fall back on these dog-eared tales. The dramas in Perkins' life occurred in solitude. The thing that distinguished this editor from thousands and thousands of other industrious office workers was a private, inaccessible gift. He could read a manuscript and see the book that the author had hoped to write...
...beginning, he championed Fitzgerald when the young author's work was considered too daring to print. Near the close of his life, the editor nudged James Jones down the thin red line that led to From Here to Eternity. Once he sensed the presence of talent, Perkins thought no burden too great if it would help an author produce a worthy novel. While suggesting possible improvements to one writer, he spun out a letter 30 pages long. He managed finances, patched up family troubles, soothed egos and never complained about the demands made on his patience and energy...