Word: five-part
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...next installment, due to appear in June, will focus on technology--a fitting conclusion to our five-part series. Please tune in to our newsmagazine show on CNN, which is broadcasting a companion series of one-hour specials. And please continue to visit us at time.com/v21 where I can confidently predict we will always look forward to your comments and suggestions...
...Person of the Century issue is still a couple of months away, but we thought we'd get a head start on the next century by launching the first in our new five-part series, Visions 21. The idea of the series is to probe the next century by asking 100 provocative questions and then doing our best to answer them. This week we explore the first 20 questions, about our health and the health of our planet...
...work by Barney is something of an event in the contemporary art world, and a more unlikely looking event would be hard to find than the newest installment in his projected five-part "Cremaster" series--the first three done as videos and now the latest, and perhaps grandest, finished as a full-scale 35-mm film. Never one for the obvious or linear, Barney has dropped this piece into the sequence as Cremaster 2. On view at the Walker Art Center in Minneapolis, Minn., through Oct. 17, the 79-min. film and the morgue-cold installation of objects that accompanies...
Just from looking at the self-important title of Wing Commander: The Movie, it is obvious that there is a difference between the movie and the interactive computer game of the same name. In fact, the movie hardly measures up to the video game. The successful five-part series, with its latest 1997 release Prophesy, for years has captivated players with stunning visuals, satisfying action and suspenseful story lines. Yet, Wing Commander, lacks all the characteristics that made the game famous. However, you do not need to be familiar with the game to notice the shortcomings of the movie...
...Calloway. Doc 's 91. The tunes here are standards, many of them--like Black and Blue--part of Louis Armstrong's repertoire; all are played in a straight-ahead New Orleans style. But one's suspicion that the result might be dutiful and dull, the musical equivalent of a five-part series in the New York Times on wage stagnation, proves groundless. Doc Cheatham & Nicholas Payton rescues its idiom from both the dead end of strict revivalism and the cornier precincts of Dixieland, reinvesting it with swing and individuality and reminding us why this sensual, pleasurable music was once called...