Word: flagging
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...public eye, Jacqueline Kennedy Onassis' heroism is imprinted through indelible images: at L.B.J.'s side, with a gaze more eloquent than any words, as he took the oath of office; gripping Robert Kennedy's hand and then her children's; receiving the flag that had covered J.F.K.'s coffin. But what of the woman beyond the camera's range? There are no pictures of her heartbreak and bravery at Parkland. Yet that was somehow...
...washed clean by trauma. She walked head up, back straight and proud, in a flowing black veil. There was the moment in the Capitol Rotunda, when she knelt with her daughter Caroline. It was the last moment of public farewell, and to say it she bent and kissed the flag that draped the coffin that contained her husband -- and a whole nation, a whole world, was made silent at the sight of patriotism made tender. Her Irish husband had admired class. That weekend she showed it in abundance. What a parting gift...
...wish we could take her, in the city she loved or the capital she graced, and put a flag on her coffin and the coffin on a catafalque, and march it down a great avenue, with an honor guard and a horse that kicks, as Black Jack did, and muffled drums. I wish we could go and honor her, those of us who were children when she was in the White House, and our parents who wept that weekend long ago, and our children who have only a child's sense of who and what she was. I wish...
...speed, charging and skidding through the dense paint, slits open with the promise of spatial depth, only to shut again. The only relief from the close churning of forms is a curious "window" at the middle of the painting -- red, white and blue -- that looks like a blurred American flag. The work's space is not deep, as the title might suggest, but shallow, like a bas-relief. You keep expecting the image to fly apart into formal incoherence, but it never does: it has the kind of control you see in great drivers or skaters, a supple rigor that...
...shot in the conservative cultural war. Coming just as the 1992 presidential campaign was heating up, it was supposed to be that year's contribution to the classic Republican "us" vs. "them" strategy -- "us" being the silent majority, the middle Americans, patriots; "them" being liberals, artists, Hollywood, flag burners...