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...Kirsten Flagstad, ex-Metropolitan Opera star who has been in Norway since 1941, said she now wanted to return to the U.S. With Husband Henry Johansen in jail as a suspected quisling (he built barracks for Germans), Flagstad denied that she herself had ever collaborated, admitted that she had been booed in Stockholm, but "I don't know...

Author: /time Magazine | Title: People: People, Jun. 18, 1945 | 6/18/1945 | See Source »

...Kirsten Flagstad, 49, whose famed Wagnerian ho-yo-to-hos have not resounded in the Metropolitan Opera since she joined her husband in Nazi-held Norway four years ago, planned to return to the U.S. "to see my daughter [by a previous marriage - Mrs. Elsa Dusenberry of Bozeman, Mont.] if not to sing." Flagstad managed to keep herself politically neutral by refusing to sing for Nazi audiences, but her wealthy quisling husband, Henry Johansen, was less successful: his one-week imprisonment in a Gestapo concentration camp last February was described by Norwegian patriots as a "face-saving maneuver," during which...

Author: /time Magazine | Title: People: Just Deserts | 5/28/1945 | See Source »

...Kirsten Flagstad, world's greatest Wagnerian soprano and onetime top star of the Metropolitan, who has conspicuously refrained from appearing in Nazi or Nazi-controlled opera houses, but is living in semi-retirement with her quisling husband Henry Johansen in occupied Norway...

Author: /time Magazine | Title: Music: Fate at the Door | 6/19/1944 | See Source »

Wagner: Bridal Chamber Scene from Lohengrin (Victor Symphony, Edwin McArthur conducting, with Kirsten Flagstad, soprano, and Lauritz Melchior, tenor; Victor; 4 sides). Grade A performance and recording; Flagstad at her finest...

Author: /time Magazine | Title: Music: July Records | 7/12/1943 | See Source »

...year ago last spring, Soprano Lawrence was riding the crest. She had given U.S. operagoers six lessons of sturdy, full-throated Wagnerian song. At a time when the mighty Kirsten Flagstad dominated the Metropolitan, Marjorie Lawrence's star was bright enough not to be eclipsed. Off stage, the Australian soprano doted on swimming, tennis, horseback riding; on stage, she seemed equally brimful of health. As Brünnhilde, she surprised and delighted operaphiles by leaping astride her horse and galloping off in an almost unheard-of concurrence with Wagner's stage directions. Less in character, though a triumph...

Author: /time Magazine | Title: Music: Soprano's Return | 9/14/1942 | See Source »

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