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...quarter-century he was in constant demand in the world's great opera halls, sharing the stage with such stellar Wagnerian sopranos as Kirsten Flagstad, Frida Leider, Maria Miüller and Helen Traubel. Despite his rigorous schedule, Melchior never canceled a performance, something of a landmark for temperamental opera stars. Once while he was in Götterdämmerung he developed a swollen polyp that choked him; he found that by holding his head to one side he could sing-and sing he did for three hours...

Author: /time Magazine | Title: Music: The Magnificent Giant | 4/2/1973 | See Source »

...smooth, workmanlike job, hampered by Dernesch's inability to make Isolde alive enough so that her death is significant. The record is also marred by the cavernous, "first-row-of-the-balcony" acoustics that Karajan seems to enjoy these days. The 20-year-old Tristan, starring Kirsten Flagstad and Conductor Wilhelm Furtwangler, incomparable and still available in excellent mono, remains the set to have...

Author: /time Magazine | Title: Music: Records: Pick of the Pack | 12/11/1972 | See Source »

...following a heart attack; in Santa Monica, Calif. A buxom woman with a gigantic voice, the St. Louis-born singer was the first fully American-trained soprano to play Isolde and the three Brünnhildes at the Met. Many critics considered her superior to her rival, Kirsten Flagstad. Independent and unstuffy, she was dropped by Met Manager Rudolf Bing for singing in nightclubs. She withdrew to care for her ailing husband and former business manager, William Bass...

Author: /time Magazine | Title: Milestones, Aug. 7, 1972 | 8/7/1972 | See Source »

WAGNER: Tristan und Isolde (Angel 3588). Still the best recorded Tristan ever, with Conductor Wilhelm Furtwangler and Soprano Kirsten Flagstad...

Author: /time Magazine | Title: Recordings: Last Chances for Mono | 7/26/1968 | See Source »

...Resnik, a dramatic soprano with a rich lower range, found the field so overcrowded that even her widely recognized abilities were not taking her to the top. "I was just a talented youngster compared with the great divas of the time," she says. "I sang the second Elsa to Flagstad, the second Sieglinde to Traubel, and the second everything to Milanov...

Author: /time Magazine | Title: Opera: Growth to Grandeur | 2/2/1968 | See Source »

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