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...frenzied crowd saw any African as an enemy. One was killed outside the cemetery gate, and for half an hour passing Portuguese would stop and flail the lifeless body. With police help, a terrified African woman and her children escaped in a hail of stones. An African man was cornered in a shed across the road and shot to death. Another was chased to the roof of a warehouse, ran wildly along the ridge as whites took potshots at him like a duck in a shooting gallery. Ten Africans died in the rioting...

Author: /time Magazine | Title: Angola: Land of Brotherly Love | 2/17/1961 | See Source »

...performance, conducted by Richard Korn, featured Marimbist Chenoweth as soloist. A small woman (5 ft. 2 in.), she seemed dwarfed by her instrument-a 6-ft. tablelike frame supporting a graduated series of hardwood strips with a row of tubular resonators attached. But when she started to flail away with both wool and rubber-tipped mallets, Marimbist Chenoweth proved herself a virtuoso. Scampering from one end of the instrument to the other, she produced flurries of bell-like tones in a surprising dynamic range. As for the piece itself, it proved to be tuneful, crisply rhythmic, shot through with jazz...

Author: /time Magazine | Title: Music: Two by Americans | 11/23/1959 | See Source »

Life with father was sometimes all beer and no victuals. The meticulous Stanislaus once calculated that John Joyce was roaring drunk 3.97 days a week. At such times, Papa would reel home in a vicious temper, flail away at any child within reach, and snarl, "I'll leave you all where Jesus left the Jews." An ardent Parnellite, the elder Joyce undoubtedly inspired the nine-year-old James to his first known literary effort, a poem to the fallen leader, in which Parnell was likened to an eagle, looking down from...

Author: /time Magazine | Title: Books: Dublin's Prodigal Son | 11/9/1959 | See Source »

...them were more than a hundred percussion instruments-including a horse's jawbone, six water-buffalo bells, eight auto brake drums, a corrugated washboard and a set of bongo drums. When the conductor raised his baton, the young men moved on an assortment of weapons and started to flail away. The effect was like an explosion in a boiler factory. The occasion: an all-percussion concert at New York's Manhattan School of Music, under the direction of Veteran Percussionist Paul Price...

Author: /time Magazine | Title: Music: Variations on a Brake Drum | 3/30/1959 | See Source »

...that pull the arms down. "The arm depressors must be strengthened for best results in pulling at the catch and to push through at the finish of the stroke," he explains. "I'm a great believer in swimming with the arms." For hours on end Yale swimmers rhythmically flail their arms in Payne Whitney exercise rooms, lying on boards in swimming position and struggling with weights...

Author: /time Magazine | Title: Sport: Master of the Pool | 2/23/1959 | See Source »

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