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Kreshtool's lessons are only one of the many options for Harvard students interested in the elegance, flair and sex appeal of ballroom dance...

Author: By David B. Lat, | Title: Those Dancin' Shoes | 3/3/1993 | See Source »

...from the rest of her cast. Her voice was explosive throughout the first act, and she came through the famous "Habenera" with a spark of brilliance. Despite the weakness and discordance of the orchestra, she held the melody and retained the inflexions of the song. Unfortunately, her flair for the dramatic deteriorated slowly throughout the play. Teasing, seductive and convincing in the first act, her gestures and movement became less spirited and aimless by the final scene. Freidenfelds made an alluring and exciting Carmen, but she did not have the stamina of Bizet's heroine...

Author: By Lawrence M. Brown, | Title: Dunster House Opera's Carmen Charming at Best | 2/25/1993 | See Source »

Dorf's comic sense serves him much better than his philosophical nature. From the opening line of the play, "I killed the reference librarian," Dorf displays his absurdist flair. Scott Schwartz's direction aggressively matches that sensibility...

Author: By John Aboud, | Title: Mismatched Bookends at the Loeb Experimental Theatre | 2/25/1993 | See Source »

Designer Nicholas Georgiadis' lavish costumes and elaborate, larger-than life scenery embellish the ballet's sensual Spanish flair. The glowing hues of land, sea and sky in the Barcelona port scene and muted whites and silvers of the mystical forest fantasyland in the dream sequence echo the vibrance of the dancing itself. The fervid tangos and airy waltzes of Ludwig Minkus' original 19th century score capture the colorful folk mood of Old World Spain. Assistant Director Anna-Marie Holmes' staging is for the most part fast-paced and engaging, but sometimes lacks the vigor necessary to maintain the intensity...

Author: By Phoebe Cushman, | Title: Battling Windmills at the Wang | 2/18/1993 | See Source »

...accomplished actors playing the lead roles. Day, with her delicate cheekbones and tremulous lovliness, is radiant; the other-wordly image of Beauty in a dark cloak stays in one's memory for days. Marais is triumphant as the Beast. In Berard's makeup and ornate costumes, he displays a flair not present in any of his other performances. He looks at once noble and ridiculous, menacing and silly, and his resonant, incantatory voice is unforgettable...

Author: By Joel Villasenor-ruiz, | Title: Jean Cocteau's Fuzzy Valentine | 2/11/1993 | See Source »

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