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...doubtful whether Belushi himself could have saved Meatballs. Directed by Animal House Co-Producer Ivan Reitman, the movie is a series of shopworn jokes, executed with no discernible flair. The writers have done little more than round up the usual array of stereotyped characters: a horny fat boy, a bespectacled nerd, a conceited stud, busty girls and so on. Once these kids and the head counselors (Murray for the boys and Kate Lynch for the girls) are introduced, the film meanders aimlessly. Half the time, Meatballs forgets to exploit the gags that it so laboriously sets up. No sooner...

Author: /time Magazine | Title: Cinema: Animal Bunk | 7/16/1979 | See Source »

...tape, and his own inspiration Eno uses. the sounds he concocts never stray from the musical demands of Bowie's songs, and the sheer multitude and variety of these sounds makes Lodger a fascinating album almost as fascinating efforts. Lodger can claim its own identity because of Bowie's flair for personification--he takes each of Eno's abstract noises and weds it to whichever character he's playing at the moment...

Author: By Scott A. Rosenberg, | Title: The Rock Star Who Fell to Earth | 7/6/1979 | See Source »

Some film reviewers expressed disappointment with Interiors for its lack of "comedy flair," failing to realize that this film possesses more psychological depth and metaphorical ideas than the great majority of recent American films. Historically, Interiors can be considered as Allen's prelude to Manhattan in which psychological complexity is successfully integrated with refined lyrical humor. From the structural standpoint, Manhattan is realized with an extraordinary sense for pictorial composition, mistage and camera movement. Most germane is the tight unity between these properties and the narrative continuity; at its best, this unity in itself becomes the film's message. Hence...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

...Boston-born stage and screen comedian best remembered as the Tin Woodman, Judy Garland's fellow pilgrim on the yellow brick road in the 1939 MGM film classic The Wizard of Oz; of a heart attack; in Los Angeles. Haley parlayed his blue-eyed Irish good looks, comic flair ("Trouble is my best material") and talent for song and dance routines into a lucrative career that allowed him to all but retire after World War II as a millionaire real estate investor. Last appearance: in Norwood, a 1970 movie directed by his son Jack Haley...

Author: /time Magazine | Title: Milestones, Jun. 18, 1979 | 6/18/1979 | See Source »

...every dreary or rambunctious pupil is a genius, by any means. About 3% of the nation's students are thought to be gifted, measured either by intelligence tests or a special flair for subjects such as mathematics or foreign languages. Special programs for gifted students receive only token funding compared with programs for the handicapped and disadvantaged. Illinois, for example, spends $740 per child to educate its 220,000 handicapped, but only $40 per child for its approximately 70,000 gifted students. The disparity is largely due to the notion that the gifted will flourish on their...

Author: /time Magazine | Title: Education: Was the Kid Too Smart to Learn? | 4/23/1979 | See Source »

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