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Nijinsky is Béjart's most ostentatious work to date. In it his flair for the spectacular, the mod and the grotesque is overwhelming, in ways that admittedly may whelm some more than others. Equipped with enough stage runways for a good suburban airport, adorned ominously by the obligatory -or so it seems these days-cross of Calvary, Nijinsky is essentially an old-fashioned allegory play dolled up for the stoned age. Its recounting of the life of the great Russian dancer is set to a schizoid musical score (electronics by Pierre Henry, schmalz by Tchaikovsky...

Author: /time Magazine | Title: Music: Stoned-Age Allegory | 11/13/1972 | See Source »

Such gaffes might have been politically disastrous for Trudeau if he were not pitted against the Canadian whom many would vote most difficult to elect. Robert Stanfield, 58, an able former Premier of Nova Scotia, is eminently qualified for the job of Prime Minister, in every particular except political flair. He seems to be everybody's fumbling, bumbling "Uncle Bob," a gray personality whose speeches seldom arouse the electorate. A traveling rock band and miniskirted "Stanfield Girls" have been recruited to add color to his campaign -but they are not enough...

Author: /time Magazine | Title: CANADA: Once More with Feeling | 10/30/1972 | See Source »

...soldiers did; almost all the "off-stage" sequences are clearly planned. Unless a viewer is completely unaware of the traditional as well as recent disgruntlement in the armed forces, it informs us of little and convinces us of less. With a little less politics and a little more flair, this could have been a film of Bob Hope's Christmas tour. But, then again, you might not believe in Christmas...

Author: By Barry Levine, | Title: "Fuck the Army" | 8/1/1972 | See Source »

...been preparing himself by working on the premises for over a year, and already he conveyed the hope of a fresh, new era at the Met. He played both violin and piano, spoke five languages, was well versed in economics and politics (perhaps accounting for his flair at negotiating labor contracts), had considerable experience as an actor, and had directed movies, theater and opera. His style was cheerful and informal, which helped to ease some of the morale problems left behind by the autocratic Sir Rudolf Bing...

Author: /time Magazine | Title: Music: The Greatest Loss | 7/31/1972 | See Source »

Neither the neighbor nor the chickens were very good critics. For Ponti, at 34, is one of the most striking-if somewhat controversial-keyboard talents to appear on the concert stage in years. With a flair for the old-fashioned bravura style and a staggering technique to put it across, he is a one-man tidal wave of sound. His hands can hammer out octaves with machine-gun speed and force. He can pounce on flawless trills from a three-foot distance. He can zip off glissandi in octaves and double notes that would tear the fingernails of many pianists...

Author: /time Magazine | Title: Music: Bravura in the Coop | 6/12/1972 | See Source »

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