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...Guerre Est Finie by Alain Resnais. Resnais continues to employ a mosaic technique where flashbacks and quick montages of thoughts and objects are inserted, reaffirming Resnais' flair for visual stream of consciousness. Where Hiroshima Mon Amour used mostly flashbacks, La Guerre Est Finie's inserts are mostly flash-forwards: fears and premonitions of Diego, the middle-aged Spanish revolutionary, played so magnificently by Yves Montand. In sight and Sound, Tom Milne describes Diego as caught between two worlds "in more ways than one: between Spain and France, between youth and age, between the old Spain of the International Brigade...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

...constituency but the American consumer, no financial backing beyond what he can generate from lectures and writing (his auto-safety book, Unsafe at Any Speed, sold 450,000 hard-cover and paperback copies, earned him $55,000). Nader's success is largely due to his unerring flair for phrasemaking, backed by diligent research. A self-taught speed reader, he flips through thousands of pages of Government reports and technical journals, then distills his findings into mind-grabbing slogans. One article on meat, for example, was titled "Watch That Hamburger!"; his most effective apothegm during the automobile ruckus, "They...

Author: /time Magazine | Title: Lobbyists: Caveat Vendor | 12/15/1967 | See Source »

...Throughs. No designer these days reveals more than California's Rudi Gernreich, 45, the man who shocked the world in 1964 with his topless bathing suit. No stylesetter has capitalized with more flair on the current vogue for exposure; but even his critics grant that Rudi's topless was only an incident in his rapid rise to leadership as the most way-out, far-ahead designer in the U.S. When he was inducted into Fashion's Hall of Fame this fall the sixth U.S. designer to be so honored he was hailed by the selection committee...

Author: /time Magazine | Title: Fashion: Up, Up & Away | 12/1/1967 | See Source »

...letting characters speak in their own voice. The prevailing tone is one of bitchiness, an atmosphere more tolerable and customary in the theater than in fiction. There are scenes in the book that make Who's Afraid of Virginia Woolf? seem idyllic. The dialogue, thanks to a flair for dating and placing people, is impeccably tailored for period and person. As for a sense of class, without which no English novelist can hope to function, Wilson's is as sound as the doorman's at Claridge...

Author: /time Magazine | Title: Books: The Hindsight Saga | 12/1/1967 | See Source »

From a distance, the current Greek government looks like a comic farce. The ruling colonels are a parody of the modern military regime: right-wing officers bow out to reactionaries; one purge succeeds another until there remains only a core of deeply paranoic rulers with a dramatic flair for secret police and censorship. Combining the absurd and the petty, the Greek colonels prohibit political talk in private homes, and deprive Melina Mercouri of her citizenship. Puritanical instincts have prompted them to ban mini-skirts, long hair, classical Greek plays, and to declare compulsory church attendance...

Author: By Boisfeuillet JONES Jr., | Title: The Hellenic-American | 10/25/1967 | See Source »

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