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...people were not really thinking of tomorrow. It was all a glorious today of heady triumph, + a happy blend of religiosity and athleticism. Reagan's principal appearances during the convention were at a prayer breakfast and for a speech that associated the runners who had just carried the Olympic flame across America with the torch-bearing Statue of Liberty. The crowd burst into cheers of "U.S.A.! U.S.A.!" This transcended normal politics. It was the politics of ecstasy. A Nuremberg rally without the menace...

Author: /time Magazine | Title: Ronald Reagan: What Happened? | 3/9/1987 | See Source »

...culled from Kafka, particularly The Metamorphosis, are familiar; the actors sometimes find eerie pathos but often waver between lobotomized declamation and coarse accent comedy. And there is unattractive self-pity in the vision of an artist as a caged carnival act. Still, there are magic tricks, bursts of flame, ritual burials in a stage full of soil and stark tableaux echoing, or worthy of, Dali and Magritte. The words fade quickly. The images linger. W.A.H...

Author: /time Magazine | Title: Theater: Feast For The Eye | 3/9/1987 | See Source »

Also dealing indirectly with war but far less blunt is Casablanca (Brattle Theater). Probably the most famous film of all time, Casablanca actually has an illogical and melodramatic plot, centering around a cynical American (Humphrey Bogart) who runs into an old flame (Ingrid Bergman) from his days in Paris. Under the influence of the striking young woman, Rick progresses from a selfish and apolitical bar-owner to a member of the French resistance against the Nazis. Though lacking the chemistry of Bogart and Bacall, Bogie and Bergman turn this rickety plot into a timeless film about sacrificing personal interest...

Author: NO WRITER ATTRIBUTED | Title: Front Line: Hollywood | 3/5/1987 | See Source »

...embodying "everything you were afraid your little girl would grow up to be -- and your little boy." The image obscured her rightful claim as the most dynamic and poignant singer-actress of her time: a 5-ft. 1-in. Statue of Libido carrying a torch with a blue flame. Her phrasings were as witty as Streisand's, her dredgings of a tormented soul as profound as Aretha's, her range wider than all comers...

Author: /time Magazine | Title: Bette Midler Steals Hollywood | 3/2/1987 | See Source »

...ready Mardi Gras Mambo (released in 1955) and ending with a spirited spiritual recessional recorded in the spring of 1985. New Orleans produced many superb musicians and singers, but the Nevilles are the town's premier vocal ensemble. A single cut, Fire on the Bayou, is like a dancing flame on an oil slick. It produces enough heat to warm a mountain cabin for a week...

Author: /time Magazine | Title: Music: New Discs Offer Sound Trips | 3/2/1987 | See Source »

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