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...listener with no knowledge of Russian can have only an approximate sense of the quality of the original language in Yevtushenko's reading. The contents of the verses, however, can be judged in Alan Bates's English translation, and they do not seem to burn with artistic flame-they itch like inflammations. Except for the famous piece Babii Yar, which is more an emphatic speech than a poem about the slaughter of tens of thousands of Jews by German troops near Yevtushenko's Kiev, topics of recent years are often triumphs of trivia, his attitudes the aggravations...

Author: /time Magazine | Title: Television: Sep. 30, 1966 | 9/30/1966 | See Source »

...cherry orchard all ready for Madame Butterfly's entrance. Meanwhile, the three wagons can be loaded with upcoming scenes and wait to glide into the center-stage slot at the push of a.button. For other effects, the backstage Merlins can conjure up storms and floods, encircle Brunnhilde in flame and smoke, or simply change night into day by unreeling one of two massive 110-ft. by 270-ft. cycloramas. For more subtle moods, there is a space-age lighting booth with 3,000 switches that can say love in a rainbow of shades...

Author: /time Magazine | Title: Opera: Lord of the Manor | 9/23/1966 | See Source »

...weeks S.N.C.C. sound trucks had rolled through the Georgia city's black ghettos, blasting out Carmichael's battle cry, "Black Power!" About all that was needed for an explosion was a spark-and in the end it was Carmichael who found one and fanned it into flame...

Author: /time Magazine | Title: Atlanta: Stokely's Spark | 9/16/1966 | See Source »

Occasionally, Director Richardson entraps a darkly beautiful image, filling Moreau's unfathomable eyes with licks of reflected flame in a monstrous closeup. More often, Mademoiselle's effects are merely outlandish, and the film creates an overall impression of rich resources gone smashingly to waste...

Author: /time Magazine | Title: Cinema: Psychodrama | 8/19/1966 | See Source »

...Steal a Million. "It's only a day's work for you, but it's my first burglary," says Audrey Hepburn, her doe eyes alight with the giddy, girlish flame so often kindled in a very proper romantic heroine who has just discovered the joys of going gaily to hell...

Author: /time Magazine | Title: Cinema: Artful to a Fault | 7/22/1966 | See Source »

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