Word: flamencos
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Dates: during 1960-1969
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...hardly fair to complain that Nin's El pano murciano is not an especially interesting song when she is warbling her way through it. The encores included the inevitable Clavelitos, but some members of the audience were clearly disappointed that de los Angeles chose to omit Adios Granada, a flamenco which she sings to her own guitar accompaniment. They need not have been; it is not every exam period after all, that brings with it a concert by the soprano with the world's loveliest voice...
...rumor that a movie is to be made about Brother Edward, to be called 'I Was a Teen-Age Senator' ") with tributes to the President, and introduced a parade of first-rate entertainers. Yves Montand sang his French songs, Spain's Antonio danced with his flamenco ballet company, George Burns and Carol Channing joked. Comedienne Carol Burnett called the President "a regular pussycat." The big hit of the show was the New York City Ballet, doing excerpts from Stars and Stripes...
Teresa Berganza, the young Spanish mezzo-soprano, carried on this tradition in particularly disheartening fashion last Thursday night, filling the entire second half of her recital with a remarkably undistinguished lot of songs by Granados, de Falla, Montsalvatge, and the Brazilian Villa-Lobos. There were cradle-songs and tormented Flamenco--like songs, and two or three varities of that hardy perennial of the concert platform, the "delightful" song about a timid or a talkative lover, which ends with an exasperated little yelp from the singer (and polite titters from the old ladies in the audience). On a balmy night...
...myriad of descriptive effects. And the weightiness of the theme was relieved by occasional touches of humor, most strikingly with the singing of the three-headed Geryones (Tenors Pier Francesco Poli, Pieo de Palma, Sergio Pezzetti), which sounded a little like Tnrandot's Ping. Pang and Pong in flamenco...
...extraordinary range of nuance not often found in the guitar. Celin, 24, followed his father-again with classical selections, but in a mistier, more rhapsodic vein. Angel, 14. offered a limber, clean-lined performance of the Bach Chaconne from Partita Number Two. Pepe, 18, whipped through a selection of flamenco songs with remarkable fire and dexterity, thrumming out the music's traditional chords with steel-sure fingers. Later the four came out together to play the adagio and allegro from Telemann's Concerto for Four Violins...