Word: flamming
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...runs deep, wide and muddy through the heart of American literature. Melville navigated the subject on the river boat Fidele, which he filled with assorted rascals for his novel The Confidence Man. It was no coincidence that in Mark Twain's Huckleberry Finn the shuck and the flim-flam cut across racial and class lines, from Nigger Jim's magical hair ball to the King and the Duke's pretentious ripoffs...
...charges by festooning the locker room with little homilies: THERE IS ONLY ONE YARDSTICK IN OUR SPORT AND THAT IS WINNING-SECOND PLACE IS LIKE KISSING YOUR SISTER. While a few players do not wholly buy his pitch, most agree with Center Len Elmore: "Lefty's the flim-flam man. It's a confidence game with him, but you buy it because he's honest about it." Now 41, Driesell is too busy chasing the national championship and overseeing sundry enterprises-the Lefty Driesell Insurance Agency, the Lefty Driesell steakhouse, the Lefty Driesell summer basketball camp...
...LATE, RUSSELL has grown steadily more obsessed with madness and artistic alienation and more self-indulgent in his exploitation of the crude, the excessive and flam-boyant. To this point, his chief forte as a director has been his handling of theatrical effect. "Women in Love" was audacious and over-ripe in imagery, and over-fancy in cinematography--lavish in caricature and lacking in precise meaning. Lawrence's form had been tortured into the shape of Russell's own Gothic sex fancies. And it made as offensive, though visually awesome, film. With "The Music Lovers," a biography of Peter Tchak...
...movie debut of Uta Hagen, a demigoddess of Broadway (she starred in the original productions of both The Country Girl and Who's Afraid of Virginia Woolf?) and an acting teacher of special renown. It is difficult to fathom her reputation judging from her work here. She is flam boyant to the point of grotesquery, as is Miss Muldaur. But the Udvarnoky boys are appallingly convincing as the fey twins. Mulligan's special talent for directing children (Up the Down Stair case, To Kill a Mockingbird) is again splendidly in evidence here...
...fellow actors often express admiration for Scott because he has the courage to risk professional failures. His characterization of Mordecai Jones, the aging but still canny Flim-Flam Man, was too strongly derivative of W.C. Fields, and his performance as Antony in Antony and Cleopatra was a self-proclaimed disaster. "I should have played Cleopatra," he says; Antony is one of the few roles beyond his ambition. "The great danger with most actors," he says, "is that the more successful they become, the less risk they will take with their careers. They forget why they became actors in the first...