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Word: flannagan (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Dartmouth summary: Foster (H) defeated Rindge, 3-2; Nawn (H) defeated Stahi, 3-2; Bacon (H) defeated Hulbert, 3-0; Simel defeated Flagg (H), 3-2; Plimpton (H) defeated Keese, 3-0; Hoar (H) defeated Fisher, 3-1; Harding (H) defeated Flannagan, 3-1; Austin defeated Richardson (H), 3-2; Mauk defeated Hunt...

Author: NO WRITER ATTRIBUTED | Title: Squash Team Tops Indians, 6-3, Despite Five Out Injured | 12/10/1949 | See Source »

...front man, the Whitney Studio went great guns. By 1928 the Whitney Studio Club, where artists could get together and show their works, had 400 members and 400 more were clamoring to get in. Dozens of artists including Painters John Sloan, Edward Hopper, Reginald Marsh and Sculptor John B. Flannagan, had had their first one-man shows at the Whitney. Works by Whitney-sponsored artists were getting into museums, and selling on Fifth Avenue...

Author: /time Magazine | Title: Art: Whitney & Force | 10/3/1949 | See Source »

Assisting Coach Mikkola with his extra large team is the new track weight-coach, Ed Flannagan, recently of Andover...

Author: NO WRITER ATTRIBUTED | Title: Mikkola Hopeful As 107 Harriers Enter First Race | 10/3/1946 | See Source »

...thirds of its largest gallery space to Painter Pavel Tchelitchew. The 214 exhibits, hung against a color scheme (each wall a different shade) devised by the artist, formed the biggest retrospective Tchelitchew show ever assembled. The remaining rooms displayed 43 carvings, 25 drawings by American Sculptor John B. Flannagan, who died by suicide last January...

Author: /time Magazine | Title: Art: Why There Is Why | 11/9/1942 | See Source »

Like any typical Paris sculpture show of the 19303, Director Valentin's U. S. exhibition was long on abstractions and elephantoid nudes, short on frock-coat portraits and winsome nymphs (exceptions: Simon Moselsio's sloe-eyed Nude, John B. Flannagan's dreamy bronze Mother and Child-see cuts). None of the pieces showed any recognizable relation to the U. S. scene. Most abstract of all were: 1) a nut-&-bolt portrait by David Smith, virtuoso in scrap iron (TIME, Nov. 18); 2) a jittery, swaying mobile made out of fence wire and iron by U. S. Mobilist...

Author: /time Magazine | Title: Art: Domesticated Chisels | 1/13/1941 | See Source »

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