Word: flapper
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Dates: during 1980-1989
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...sidekicks produce some of the show's lewdest gems. Flapper waitresses Trixie deTrade (Sherwin Parikh '90), a Joisey homegirl in a clingy jade satin mini and fuschia bikini top, and Sheila Lowitt, with sinister eye makeup, deftly trade bedtime barbs. When Trixie is scared by Sheila's desire to be a thespian, Sheila wonders, "How can you be so shallow?" "My boyfriend says I'm deep," Trixie retorts...
...rest of the cast can't match Zawawi's power, but special mention goes to Tom Tremoulet for creating an elegantly arrogant yet ultimately insecure Brandon. Valerie Beck is also superb as the tipsy, irreverent flapper Leila Arden. Adam Selipsky was less successful at portraying the weak, drunken Granillo, turning to over-acting at times--it is hard to imagine a college kid literally shrieking with nerves. And Charlie Kempf was guilty of a touch of woodenness, even in the role of the basically awkward and wooden Kenneth Raglan, the varsity athlete...
...postcard Mediterranean coast. For the occasion, La Baraka (in Arabic, "the blessings of God") was transformed into a Moorish palace: gold chandeliers draped in white leaves and red streamers, the ceiling of the 50-ft.-high ballroom covered with shimmering silver and gold spangles like the fringes on a flapper's dress. That night, like a magnanimous feudal lord, Khashoggi, in a gray-and-black satin tuxedo, greeted his guests with kisses on both cheeks. Servants trooped into the ballroom carrying great silver salvers of lobster thermidor and pheasant with apples. For the children, there was a magic show featuring...
...with a rhinestone seam for $12 at At Saks Fifth Avenue (Prudential Plaza). Rhinestone jewelry ranges from $28 for a choker to $10 for a tiara at Reddog's (1737 Mass. Ave.). If you want to go all out, Atalanta Antiques (1700 Mass. Ave.) sells a beaded and chiffon flapper dress for $300. For the finishing touch, Chanel No. 5 perfume, a mere $175 per ounce...
...cooks, however, the broth is delicious. From the opening, on- your-toes Harlem Scat, through the kick-up-your-heels flapper dance of The Hairdo Hop, past the wild jungle dance of Stix, round the sultry, smoky bend of A Blues for Two Women and back home to Harlem for the finale, Queenie Pie is unmistakably the work of the grand Duke. In the pit, the Duke Ellington Orchestra steps through the score's uptown opulence with high style, trumpets growling and keyboards swinging, while onstage, members of Director-Choreograp her Garth Fagan's Bucket Dance Theater juke and okeydoke...