Word: flare
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...population. What is at stake now is the very survival of a multi-ethnic Macedonia, and the crisis is not yet over, even though there may be a brief respite. If the government is unable to address the political grievances that the rebels have exploited, we could see violence flare up again within the next week...
Stephen E. Sachs '02 is after something in "Questioning Homosexuality." He is conniving, using slithery arguments and doubling back, but why? Flare is a silly publication, and they have produced a silly headline in "Moving Beyond the Morality Debate," but this is all secondary. Can we honestly believe that there is still a debate to be had? We can carry on our "morality debate" until we're blue in the face, but it won't matter. Morality, as of now, is still subjective; until a moral philosopher comes along and cements the whole thing, and all humanity says...
...Salient, Flare and on this page, there has been a running debate concerning the morality of homosexuality. Both Flare and David B. Orr '01, who wrote as a guest columnist for the Salient, argued that it is time for our society to move past arguing whether or not homosexuality and homosexuals are moral. In his column last week, Stephen E. Sachs '02 argued that liberals should participate in this debate, because refraining makes liberals appear too timid to engage in the intellectual combat of these debates and because given the lack of logically consistent arguments against homosexuality, liberals would...
...recent issue of the magazine Flare entitled its cover story "Moving Beyond the Morality Debate." Unfortunately, the series of unconnected vignettes that followed failed to provide any clear idea of what the controversy is, let alone say what lies beyond it. On Harvard's campus, the "morality debate" over homosexuality has disappeared in favor of questions of community. Is this campus a welcoming place? Can an athlete come out and still be accepted? Or--to cite FM--"Where are all the lesbians...
Some of the photographs depict breathtaking landscapes rendered with great artistic flare and attention to aesthetics. One landscape of a pyramid taken by Francis Frith depicts the subtle beauty of the pyramids of Saqqara. His use of light and shadow rivals many Ansel Adams landscapes. The printmaking is of such high quality that the footsteps and the tracks of the cart Firth was pulling his camera equipment in can be seen snaking through the photograph. In spite of these few photographs made with great artistry, most of the images in display seem to be staged, trite, commercialized depictions...