Word: flashbacks
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...settings are glutted with eclectic religious artifacts and the documentary details of the backwater South. The cast, including even bit players who appear as cops, used-car salesmen and townsfolk, features enough oddballs to staff a Tennessee Williams repertory company. Huston's only lapses are a few purple flashback sequences that accomplish little beyond allowing the di rector to appear onscreen as Hazel's grandfather. Still, those moviegoers who have a taste for Wise Blood are not going to cavil about flaws. It is enough to ride the wild imaginative waves of this singular artistic adventure. -Frank Rich
Novelist John Phillips Marquand died only two decades ago, but social realities and the American literary scene have changed so thoroughly that Millicent Bell's thoughtful biography has become a work of archaeology. Marquand was a master of the literary flashback, now a wholly owned subsidiary of cinema, and a satirist of the rich, who have been depleted by taxes and supplanted by rock promoters and multinational executives...
...middle age . . . [by] leaping above the paraphernalia of middle-class life." In The Five-Forty-Eight, a dance of death between a married man (Laurence Luckinbill) and his jilted lover (Mary Beth Hurt), the story's psycho logical suspense is gutted by a string of clumsy nightmare and flashback sequences. Were it not for the fine, anguished performances of Murphy and Hurt, the final two shows would have no more meaning or passion than the first. Even so, they are not powerful enough...
...tunes of Bonnie Raitt, Jackson Browne and Pete Seeger, 200,000 blue-jeaned, banner-waving protesters thronged Manhattan's Battery Park last week, conjuring up visions of the antiwar days. Bella Abzug was there. So were Consumer Advocate Ralph Nader and Environmentalist Barry Commoner. And so, in another flashback to the '60s, were Actress Jane Fonda and her husband Activist Tom Hayden, this time talking of a nuclear Armageddon. Said Fonda to the cheering crowd: "We have to think of ourselves as Paul Reveres and Pauline Reveres, going through our country town by town, city by city, warning...
...show is astutely structured to elicit some sympathy for Eva (Patti LuPone) and to present her as something of a scrappy feminist. It begins with her funeral and ends with her death. In flashback, she flees from her barren pampas birthplace to glamorous Buenos Aires, arriving as the amorous baggage of a cornball bari tone guitarist (Mark Syers). She soon acquires a sardonic shadow, a one-man Greek chorus in the anomalous figure of Che Guevara (Mandy Patinkin). Che dogs every step of Eva's checkered ascent through calculated boudoir encounters and forays into stage, films and radio...