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Goaded by her uncle-in-law (implacably played by Zachary Scott), Temple tells all in a flashback confessional. It is a litany of lust and degradation. Eight years before, Temple had been kidnaped by a spiderish hoodlum named Popeye, kept six weeks in a Memphis brothel, and ''loved it." ("Nun" is a 19th century word for whore.) A year later Temple married the slack-spined Virginia gentleman, Gowan Stevens, who had been too drunk at the time of the kidnaping to protect her. It is only when Temple proposes to relive the bad old days with...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Feb. 9, 1959 | 2/9/1959 | See Source »

...Medea for two weeks with only occasional explosions of temperament. Both performances attracted capacity crowds, and Callas endowed both of them with the kind of artistry, witchery and passion that only she can convey. The Dallas Traviata used an intriguing gimmick by presenting the story as a long flashback, starting with Violetta on her deathbed visualizing the episodes leading up to her final illness. From the first curtain, when a soft light bloomed on the reclining Violetta, to the resignation of Dite alia giovine and the yearning of Parigi, O cara, Callas held her audience in a kind of hushed...

Author: /time Magazine | Title: Music: Love Affair in Dallas | 11/17/1958 | See Source »

Much of the other material is covered in flashbacks, which, although often skillfully executed, greatly distract from the play's effect and continuity. The Disenchanted would be a much better play if most, if not all, of these flashbacks were eliminated. For most literate spectators, it is not necessary to review the spirit of the Twenties or the life of Fitzgerald. For most, that decade and its Fitzgerald and Zelda evoke more images and emotions than the flashback could ever portray...

Author: By Bryce E. Nelson, | Title: The Disenchanted | 11/5/1958 | See Source »

...Real Phony. Breakfast at Tiffany's takes place, flashback-fashion, in 1943, and is full of stationary action: his room, her room, and a Lexington Avenue bar. His room contains Holly's Platonic friend, a fledgling writer whom she calls Buster. Holly's room contains unopened suitcases and unpacked crates frequently decorated with filled martini glasses, for in Holly's transient world, home is wherever one hangs one's hangover. Into Holly's rowdy parties troop the well-heeled and just plain heels. Among them: a rich, effeminate, gossip-column playboy; a roller-skating...

Author: /time Magazine | Title: Books: Bad Little Good Girl | 11/3/1958 | See Source »

...little horrors. We see the two convicts with nooses around their necks, surrounded by an angry mob; a woman's voice pipes up, "What you menfolks goin' t' do?" The pursuing posse includes a little man who plays rock and roll on a portable radio--so that, with each flashback, the audience will remember who these people...

Author: By Daniel Field, | Title: The Defiant Ones | 9/30/1958 | See Source »

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