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Most natural disasters strike hard and fast. Tornado, hurricane, earthquake, flash fire and flood all do the worst of their worst in violent bursts and spasms. Droughts are different. They have no discernible beginning; no one wakes up of a morning, looks out a window and says, "Uh-oh, here comes a long dry spell." Droughts seem deceptively serene, no more threatening than an endless expanse of blue, cloudless sky. They unfold in slow motion, a tempo ill suited to daily headlines and TV-news reports. Covering one is like sitting around watching the grass not grow. In The Grapes...

Author: /time Magazine | Title: BONE DRY | 6/10/1996 | See Source »

...here. Tom has spent almost 30 years working in and out of Harvard, since graduating from the College in 1967 and the Graduate School of Education in 1973. I see him as a senior administrator who dashes in and out of his office to Administrative Board meetings in a flash of rep tie and blazer, but also as having a youth and restlessness to help that is absolutely contagious...

Author: By Patrick S. Chung, | Title: Putting a Human Face on Harvard | 6/6/1996 | See Source »

...strange mess: Everyone's worst fear (being found out) enacted in a flash tragedy. Why did he wear two V-for-valor pins? Two seems to be piling it on a bit thick. Did the first false-macho decoration demand a twin, a second iteration, to make it convincing...

Author: /time Magazine | Title: A BATTLE WITH NO VICTORS | 5/27/1996 | See Source »

...what you're not supposed to think about" (the penises of Alex del Flavio's art) and "How did gay people get to America?" (as flight attendants), both Maffin and Hart give strong renditions of what are essentially stereotyped parts. Strutting, proclaiming, writhing in what he calls his "flash bulb therapy," Maffin does a good imitation of an attention-starved, shock-happy artist slowly coming to terms with the hypocrisy of selling out. But by the play's end, Hart's consistently contrarian Nan Bemiss wins the audience's attention away from the flashier, impetuous artist with her more grown...

Author: By Sarah C. Dry, | Title: Rudnick Turns Politics Into Farce | 5/17/1996 | See Source »

...Keillor favors reality, by which he means something other than the corporate world. Sure, the life he describes at the re-engineered Amalgamated Potato stinks, but (news flash, Garrison) bad smells are real. And what does he offer instead? The romantic notion that life in the wild where the caribou roam is better. Well, he also invented a town where all the children are above average. If all those "drones" with salaries "in the mid five digits" he describes flee the corporate world, who will be left to pay Keillor for spinning yarns and reading poetry on public radio...

Author: /time Magazine | Title: Letters, May 13, 1996 | 5/13/1996 | See Source »

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