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...industrial robots. Australia is building a wind-power facility, and the $21 million U.S. pavilion, which will house a giant movie screen and talking computers, is to be powered in part by a 5,000-sq.-ft. rooftop solar energy collector. There will be plenty of mindless flash and hubbub as well: clog dancing, exhibition basketball (featuring the Boston Celtics and the Philadelphia 76ers) and football (the New England Patriots, the Pittsburgh Steelers), high school marching bands, fireworks, clowns and a souped-up roller coaster that cruises at fearsome speeds. "The World's Fair is going...

Author: /time Magazine | Title: Barn Burner in a Backwater | 4/12/1982 | See Source »

...White House. The mood appears to be shared by the President. He is distressed by efforts to portray him as Scrooge and believes the press is taking an unduly negative tone in reporting on his Administration. Though Reagan is usually careful to conceal these feelings, now and then they flash out damagingly, as in his "South Succotash" wisecrack two weeks ago, for which he had the grace to apologize later...

Author: /time Magazine | Title: Trying to Be Mr. Nice Guy | 4/5/1982 | See Source »

PINKY AND DIANNE. Two women who got their start doing custom designs for rock stars, Pinky (Wolman), 36, and Dianne (Beaudry), 37, have simmered down sufficiently since the '70s to produce clothes for men and women that add a silken worldliness to their original down and dirty flash. "We were tired of trash and wanted a smarter look," says Pinky. "We discovered silk, which we used for sportswear." Their designs are sassy and declarative, their colors showy but controlled. "We make clothes for a more urban lady, a sophisticate who follows the fashion magazines," says Pinky, who was recently...

Author: /time Magazine | Title: Living: Cheers for the Home Team | 4/5/1982 | See Source »

...innocent woman (and the audience) thinks she is being stalked by the cat woman, in a park and a natatorium. The high points of the first film's terror, they seem pale and out of place in this gaudy but insecure film, which is all flesh and flash, never truly passionate or frightening. These sequences, in this context, become tributes not so much to a nostalgically recalled genre piece, but to the movies' long since vanished powers of suggestion. In those days, wit was employed to scare the wits out of people, and it was possible to speak...

Author: /time Magazine | Title: Cinema: Flesh and Flash | 4/5/1982 | See Source »

Popularity is one measure of a performer's achievement, but in this case it is the least compelling. Pryor is not a flash, a freak, even a one-man trend; he is the soaring demon angel of movies, concerts and Grammy-winning albums. As a comedy monologuist, Pryor is without peer. Drawing his material from the black hole of ghetto life and death, Pryor uses his dramatic power to magnetize his listeners into the fire-flash fear of the moment-even as his skewed comic perspective offers distance, safety, reassurance. As a straight actor, he has the uncanny knack...

Author: /time Magazine | Title: Cinema: Pryor's Back ? Twice as Funny | 3/29/1982 | See Source »

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