Word: flashing
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...revolutionist, but like too many of the current crop not quite certain what he wants to destroy and completely at a loss as to what he wants to build . . . Indefatigable in attack, he nevertheless flits from project to project, never completing any particular job and seldom going beyond the flash of publicity which keeps his name current on page one or the TV news...
...immaculately conceived in Tommy's Lunch. I swear to God this is true. I appeared, rather suddenly and dramatically, in that tiny space behind the jukebox. It was late at night. Tommy wasn't there. If Tommy had been there it would have been over in a flash. Tommy doesn't like any mysticism going on in his establishment...
Boom! A cannon shot from the Society Jazz Band bass drum jolts the chattering crowd outside the Gertrude Geddes Willis Funeral Home into a brief silence. The casket is coming out. Boom! A second shot signals the stricken cadence of a dirge. The white gloves of the pallbearers flash in the morning sun as they float their burden to the silver-gray Cadillac hearse. The main party of mourners, a score or so, fit themselves into several cars waiting in line...
...town butcher (Joseph Leon) sweeps dirt off his porch into his house. Told to lower her voice, the wife (Mary Louise Wilson) of an eye doctor (Harold Gould) scrunches toward the floor. Occasionally, Simon abandons these hoary vaudeville turns for a flash of absurdist humor. The doctor's daughter (Pamela Reed), adorable as she is dumb, is asked what her favorite color is and replies, "Yellow. . . because it doesn't stick to your fingers so much." Her mother mutters: "I think she's wrong. I think it's blue...
Good vs. Evil is in. Since they perceived the "national mood" as desperate, the studios give us heroes and Super-heroes restoring order to chaos. The champions of American mythology--comic book characters--are back in action. Blond-haired, blue-eyed Flash Gordon battles sinister Orientals in outer space. Superman defends Truth, Justice, and the American Way. The public wants the old heroes, the old stories: ancient themes provide the grist for almost all American movies. Whether this does indeed say anything important about America's collective unconscious is an elastic point, and one easily stretched to banality...