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...laid down in a voice of sweet rough-and-tumble. Chuck E.'s in Love, the most unlikely hit of the season, is fixing to elbow all the disco aside and find a snug niche for itself in the Top Ten. The song proves that despite all the flash and flack, disco still has a considerable...

Author: /time Magazine | Title: Music: The Duchess of Coolsville | 5/21/1979 | See Source »

...woman approaches me at The Rat. She is small and comely, her thin black dress, cut in strips that hang from her waist, revealing in a flash. Saucy red lipstick and a flower painted on her cheek, she is a smiler, coming right up to me and asking if she can illustrate my entire body. She is a body illustrator. Her name is Cretin Hop. At home she gives me cleavage, shows me a giant watercolor illustration of Patti Smith--slightly smudged by sweat--marked painstakingly beneath the knap of a breast...

Author: By David A. Demilo, | Title: The Street Symbolist Finds Her Ark | 5/8/1979 | See Source »

...that is left is the final disco, held in the room where policies on hunger, energy and voter apathy were thrashed out. Red lights flash over a parquet dance floor. The room fills with the blast of a band from Washington. The name of the band is Survival...

Author: /time Magazine | Title: In Virginia: Pursuing Positiveness | 4/9/1979 | See Source »

ALTHOUGH the set and staging focus on the sweeping, impersonal forces that deprive the characters of happiness, Sellars does not neglect the dense psychology of the play. In a flash of inspiration, Sellars enlisted Roy Kogan '80, to play Chopin preludes and nocturnes throughout Three Sisters. Kogan's forceful and sensitive musical interpretation adds new emotional dimension. Kogan and Sellars have obviously collaborated to fuse the music with the staging to intensify or soothe the action. In the opening of Act III, as a huge fire rages throught the town and the family's restrained tensions burst into open conflict...

Author: By Susan D. Chira and Scott A. Rosenberg, S | Title: Unearthing Chekhov's Rhythms | 3/22/1979 | See Source »

...plant's P.R. man (James Hampton, a veteran of T.V.'s "F-Troop" and "Rockford Files") proudly displays the space-age control room from the bird's eye perspective of the visitor's gallery, the shit indeed hits the fan. The building shakes, buzzers blast, and control panel lights flash like a Christmas tree gone beserk. Douglas surreptitiously films the panic unfolding below him, focusing on the contorted face of supervisor Jack Godell (Jack Lemmon '47). By adroitly juggling water valves and pressure relief systems, he prevents the plant from destroying itself. But Godell's expressions of horror, prayer...

Author: By David B. Hilder, | Title: Countdown To Meltdown... | 3/19/1979 | See Source »

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