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Word: flatland (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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NASA's $350 million Surveyor program has already tested the bearing strength of the lunar surface and scouted all the proposed flatland target sites for the U.S.'s first manned moon mission. This was accomplished spectacularly in four out of six shots; Surveyor's budget authorized seven. What to do with the last moon robot? As a sort of job-end bonus for a mission brilliantly accomplished, NASA left it up to a panel of lunar experts. They decided to gamble on an exploratory shot to one of the moon's unknown upland regions: the rock...

Author: /time Magazine | Title: Space: One for the Scientists | 1/19/1968 | See Source »

...surface. At 2 ft., it is only one-hundredth as bright; at 6 ft., there is no light at all. Reason: unlike the Amazon's clear-water tributaries, the river does not originate primarily in mountains and course through relatively narrow channels, but flows sluggishly across flatland. jungle and swamp areas. Each year at flood stage the Rio Negro overflows its banks, while draining some 253,000 sq. mi. - an area almost as vast as Texas. In the process, its waters dissolve untold quantities of plant juices and tree sap. Now scientists have discovered that the Rio Negro...

Author: /time Magazine | Title: Biology: River of Insecticide | 8/25/1967 | See Source »

...activity. What is moving to Houston is administrative control and planning of manned space missions, the training of astronauts, and-beginning with the second Gemini shot scheduled for this fall-ground control of manned missions. But the place the missions will blast off from will still be the sandy flatland around Cape Kennedy. And until NASA's Saturn rocket is operational, the Air Force will continue to provide adaptations of its defense-developed missiles to do the blasting...

Author: /time Magazine | Title: Science: New Look at the Cape | 3/26/1965 | See Source »

Pollock strewed oils about, but nothing was an accident. If it was, he cleaned it up. He danced around, and even on top of, his work. In later years, he called his canvases "the arena," a flatland where he encountered himself in a battle between mind and hand, He improvised like a jazz musician, scattering paint off the tip of an overloaded brush in the whiplash rhythm of his choreography. Sometimes he added sand and broken glass for texture. "It is only when I lose contact with the painting that the result is a mess," he said in 1947. "Otherwise...

Author: /time Magazine | Title: Art: Beyond the Pasteboard Mask | 1/17/1964 | See Source »

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