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Word: flatly (lookup in dictionary) (lookup stats)
Dates: during 1910-1919
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Usage:

...program for this evening follows: Symphony in E-flat major, No. 3, "Rhenis," Op. 97, Schumann Orchestral Sketch, "On the Steppes of Middle Asia," Bowdin Concerto for violin, No. 3, in B-minor, Op. 61, Saint Saens Overture to "Rienzi," Wagner

Author: NO WRITER ATTRIBUTED | Title: SYMPHONY CONCET IN SANDERS | 1/11/1917 | See Source »

Tomorrow's program will be as follows: Symphony in E flat major, No. 3, "Rhemsh," Op. 97, Schumann Orchestral sketch, "On the Steppes of Middle Asia," Borodin Concerto for violin, No. 3, in B-minor, Op. 61, Saint-Saens Overture to "Rienzi," Wagner

Author: NO WRITER ATTRIBUTED | Title: VIOLIN SOLOIST AT SYMPHONY | 1/10/1917 | See Source »

...program follows: Symphony in E-flat major, No. 3, "Rhenish," Op. 97 Schumann Orchestral sketch, "On the Steppes of Middle Asia," Borodin Concerto for violin, No. 3, in B-minor, Op. 61 Saint-Saens Overture to "Rienzi," Wagner

Author: NO WRITER ATTRIBUTED | Title: SYMPHONY CONCERT THURSDAY | 1/9/1917 | See Source »

...following program of pianoforte music will be presented by Mr. Whiting: Fantasie, C-minor, Bach Sonata appassionata, F-minor, Op. 57, (a) Allego assai, Andante cen moto. (b) Allegro, ma non troppe. Beethoven Romanse, F-major, Op. 118, Brahms Intermezzo, E-flat minor, Op. 118, Brahms Characteristic pieces, (a) Walk-dance, (b) Remembering, (c) The Sadness (Rhapsody). Arthur Whiting Valses nobles et sentimentales Maurice Ravel Nocturne, C-sharp minor, Op. 27, Chopin Mazurkas, B-flat, G-minor, B-minor, Chopin Ballade, A-flat, Op. 47, Chopin

Author: NO WRITER ATTRIBUTED | Title: CONCERT BY WHITING TONIGHT | 12/14/1916 | See Source »

...course, before going one might know the play ought to be amusing, since Harry Leon Wilson, none other, wrote it. But "Ruggles of Red Gap," also the work of this same man, fell flat, although it had possibilities, and this due to the poor dramatization. Lee Wilson Dodd, however, in the present case, has done his task well, for there is as much dramatic consistency shown as is necessary and thorough sagacity in the arrangement of the dialogue. One rule which has been wisely followed is that of moderation and restraint, and the result is that the taste of caricature...

Author: By F. E. P., | Title: The Theatre in Boston | 12/5/1916 | See Source »

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