Word: flatly
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
Much of the power of Room at the Top can be attributed to the skill in which the scenes are juxtaposed. The movie moves from dingy urban flat to imposing country house, continually emphasizing the incongruity of the two. Supportingly, Harvey moves from bare emotion to cool calculation as he lives, in turn, with his mistress and his cold dream...
...emphasis will be on mechanical improvements and innovations. The 80-h.p. Corvair has them aplenty. It gets 25 to 30 miles per gallon, can speed up to 88 m.p.h., and climb an ice-covered grade of 30° that would stop a standard car. Its flat "pancake" aluminum engine, which has six horizontally opposed cylinders (two banks of cylinders in a horizontal position), weighs only...
...could be more surprised than Bo. except perhaps the reader, when a quiet English girl named Daphne Poole takes him to her Cambridge flat and locks the door. Bo and Daph make beautiful movie music together, scored for "storms of feeling, extraordinary furnace fires, bottomless spasms, tender places, changes, quiets." After Buzz crudely tries to seduce her. it is Daphne who alerts Bo to his hero's lies, bluster and twisted bravery-"the courage that wants to be alone, that really wants death for all.'' On The Body's final mission, Buzz keeps his neurotic rendezvous...
...evening of June 16, Benjamin faced Irish record holder Bert Massett in the four-mile, the Crimson ace's first flat race at a distance greater than two miles. Messett won in 18:40, but Benjamin took second, eight seconds behind. A check with the record book showed that Benjamin's 18:48.4 was nearly 29 seconds better than the listed American four-mile mark, a 19:17.3 effort by Don Lash, one of the U. S.'s all-time greats, in 1937. Benjamin's performance was immediately submitted to the A.A.U for official recognition...
...slim, 1934 story The Last Summer (see below); similarly, Vladimir Nabokov's literary handlers hope that The Real Life of Sebastian Knight (1941) will acquire Lolita's gilt by association. The first book Nabokov wrote in English (his workshop was the bathroom of his one-room Paris flat), Sebastian Knight has a low sex quotient and no nymphets. Instead, it is devoted to themes that novelists seem to be born with: the question of identity, the nature of reality, the task of the writer. Nabokov's treatment of these themes is idiomorphic; his form is flashingly...