Word: flatness
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Here’s the thing. Glee’s weakest moments have been when the show focuses too much on the grown-ups. “Acafellas” was cringe-worthy, and “Vitamin D,” while fun, fell a little flat between the spectacle of “Rhodes” and the high drama of “Throwdown.” This episode is somewhere in the middle, with entirely too much Will Schuester but mercifully less out-of-his-genre antics than in episode three. Still, we bring your attention...
...first week as co-host of the ABC talk show The View, Sherri Shepherd declared that she didn't believe in evolution. When co-host Whoopi Goldberg pressed her to say whether she thought the world was flat, Shepherd responded, "I don't know ... I've never thought about it." That flub and the ensuing media hysteria inspired her to write Permission Slips: Every Woman's Guide to Giving Herself a Break. The comedian, who also stars in the new Lifetime sitcom Sherri, dished to TIME about how the incident played out, why women are too hard on themselves...
...write this kind of book - a sort of self-help memoir? It started with the fact that it was my very first week on The View and Barbara and Whoopi asked me if I thought the earth was round or flat. The response that came out was, "I don't know. I'm trying to take care of my son." I was really nervous. I was totally outside of my comfort zone, and I made a comment that I didn't mean to make. It was a brain fart. I did not know that people were going to hate...
This forgettable number lacks a center. We realize the scene is supposed to be a first-run, justifying the visual aimlessness, but the song’s emotional footing is uncertain as well. The performance is happy without capturing a sense of empowerment. It’s just flat, and we know Amber Riley can sing, so we’re not sure what went wrong. The choreography somewhat comes together halfway through – FlyBy enjoyed Mercedes walking along on those chairs – but what in the world did they have Kurt doing...
This forgettable number lacks a center. We realize the scene is supposed to be a first-run, justifying the visual aimlessness, but the song’s emotional footing is uncertain as well. The performance is happy without capturing a sense of empowerment. It’s just flat, and we know Amber Riley can sing, so we’re not sure what went wrong. The choreography somewhat comes together halfway through – FlyBy enjoyed Mercedes walking along on those chairs – but what in the world did they have Kurt doing...