Word: flatness
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...didn't work: the number of tickets sold dropped from an all-time high of 4 billion in 1946 to about a billion a decade later. And though the wide-screen process stuck, 3-D disappeared within a few years; many films shot in the process were released in "flat" versions...
...business model behind the new 3-D push is simple enough: the movies cost only a little more to make than flat films, while the ticket price is about 25% higher in 3-D theaters. (I sprang $15 to see My Bloody Valentine in Manhattan.) As a rabid movie watcher, I'm not immune to the pleasures 3-D can bring to certain genres. It's an advance in visual appeal similar to, but not greater than, Blu-ray. Which is to say, a difference in degree, not in kind. And with Blu-ray, you don't need the damn...
...oversimplify with my usual abandon, I'd say that Pixar movies are animated features in the old, elevated Disney style, and DreamWorks films are flat-out cartoons, proud to be descended from the knockabout traditions of Warner Bros. (Bugs Bunny) and MGM (Tom and Jerry). You can spot the difference in the kinds of stories each studio favors. Pixar makes movies about couples - guy-guy in Toy Story, Monsters Inc., Cars, Ratatouille and this summer's Up; guy-gal in Finding Nemo and WALL-E - who build a relationship out of initial antagonism and shared need. In other words, buddy...
Most foreign policy books are ... avoidable. They tend to be written in an abstruse language that occasionally approaches English. The most commercial of them promise a new theory of the world: it is flat (economically), America's influence is waning (or waxing), the nature of power is changing, growing softer, more multilateral (or unilateral). Gelb takes a defiant step in the opposite direction, away from gimmicks and grand theories, toward a re-examination of the most basic and eternal tool in the game of nations. He does not dispute that the world has changed: globalization exists, as do Osama...
Rumpole's main locus in quo is the "Bailey" - that is, the Old Bailey, London's Central Criminal Court, where he always defends, never prosecutes. Most days, Rumpole leaves the mansion flat (25b Froxbury Court) that he shares with his wife Hilda (known to him as She Who Must Be Obeyed). It is allegedly one of the clifflike Victorian blocks that line Gloucester Road in west London (you'll look for it in vain). He takes the tube to Temple by the Thames River. It's just a short stroll through Temple Gardens to his chambers in the Inner Temple...