Word: flatnesses
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...despair. There are cluttered, over-determined pictures in the last galleries, where you watch him trying to find a way to make it new. But there are also great ones, like the 1991 Triptych. In all three panels, a large black square is placed like a window within a flat, beige background. In the center, a figure barely recognizable as human flows over the lower edge of the black square. On each side panel, Bacon appears as a painted photograph of his own head pinned to the space above a pair of disembodied legs. Each of these has one foot...
...food allergy anxieties, and Ozzy’s pronunciation of “memoir” (mem-WAH) are omnipresent. But this does not mean that they are complex. Even McDormand and Swinton, two exceptional actors capable of coaxing humanity out of the crudest roles, portray flat characters. McDormand does all she can with the material at hand, but Linda seems under-developed. Like most of the characters, she often evokes our pity, but never our compassion. Chad, on the other hand, endears with a doltish charm that embraces the gym rat stereotype. He is a caricature that Pitt obviously...
...Whatever the McCain campaign wants us to talk about, because the McCain campaign is assertive." The media have dutifully fact-checked the McCain campaign's mischaracterizations of Obama's tax plans and its howler that Obama wants to teach kindergartners about sex. But the Obama camp has often seemed flat-footed in the face of nonbeanbag politics, as if it didn't think it had to dignify Republican smears with a response. "Obama wants the campaign to be about issues, because he wins on issues," says a Democratic consultant who believes Obama will ultimately prevail. "But he doesn't always...
...young Newark, N.J., Jew heads off to college to grapple with the alien demands of the goyische world in this bizarre, flawed little book. Told in flat, uninflected prose--it reads like Portnoy's Complaint on sedatives--it's full of huge chunks of undigested philosophy and dialogue that could not possibly be spoken by a human being. It's hard to believe Roth used to be witty...
...works that one may never have imagined would occupy the same wall combine to produce a progression in three-dimensionality. The horizontal and vertical black lines that run across Mondrian’s “Composition with Blue, Black, Yellow, and Red” clearly emphasize the geometric, flat nature of the piece. To its right, El Lissitzky’s “Proun 12E” continues in the vein of Mondrian’s geometric shapes and two-dimensionality, but manages to take one step further in creating the illusion of jutting out toward the viewer...