Word: flatted
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Dates: during 1940-1949
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...spacious, broiling, tented square behind his rambling mansion at Omdurman, on the upper reaches of the Nile, sharp-eyed parents, bright-eyed youths and soft-eyed maidens gathered last week for bargain day. From tent to tent the bridegrooms raced, making their selections. The price was a flat $8 per wife, rich or poor, pretty or plain, young or not, with El Mahdi footing the difference. Then Sir Sayed, tall in his flowing black galabia, appeared upon his pillared porch to intone the Koran's marriage service. Upwards of 300 glistening couples took the vows at Omdurman and blessed...
Stacked against, the run of U.S. films, Summer Storm is well above the ordinary. Stacked against the kind of European film it is trying to be, it is as distractingly uneven as a ride in a flat-wheeled streetcar. There are moments of remarkable sensitiveness to season, landscape, and the part they can play in creating erotic and moral atmospheres. There are even moments when handsome Linda Darnell embodies the natural force she is portraying. And Edward Everett Horton somehow manages to suggest that a Tsarist rake would look and act like Edward Everett Horton. But too much of Scripter...
That was in 1940, and the story (by Lucille Fletcher Herrmann and Norman Corwin), breezing over CBS in half-an-hour flat, was one of the best and most popular radio plays of the year...
...clowning act is performed with a guitar-strumming stooge against a shiny backdrop that looks like the cover of a Pocket Books mystery. Tin Tan himself wears a cock's tail in his flat black homburg, a knee-length purple velvet jacket, a steel watch chain hanging below the knees of his balloon trousers which narrow at the ankles. He is forever fondling and fussing over his mike, always starts off by jabbering such gibberish as Viriviriviri-virividee, V por Victori. At intervals he tosses in his own crazy versions of mariachi tunes, Russian melodies, Italian arias; but mostly...
Fresno's functional city hall is handsome, economical, moderately experimental in plan and design. It is a low (two-story), flat-roofed structure, surfaced with unpainted red brick, trimmed with stainless steel and aluminum. Architects were Fresno's Franklin & Kump & Associates. Construction costs were $290,000. To cut future maintenance bills, Architects Franklin & Kump eliminated all elevators, made use of natural light by means of oversize windows, skylights, glass panels atop interior walls. Instead of stairways, the building has wide ramps. Central feature of the building is an open two-story lobby. On the second floor...