Word: flatted
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Dates: during 1960-1969
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...providing the most exciting possible answer to the age-old question of whether life as we know it on earth can exist on the moon and planets. The answer is yes. Man can extend the domain of terrestrial life throughout the solar system." If Paine's flat assertion sounded somewhat premature, or unduly optimistic, there was good cause. Apollo 10 was the sort of flight that can inspire even cautious men to let their words take wing...
...stolidly in America's heartland, St. Mary's is an assertive symbol of that fraternal association Churchill bespoke, a reminder of the common heritage of both nations. On simpler esthetic grounds, it stands amidst Missouri's flat plains as a monument of excellence that the uninstructed can admire, a standard that traditionalists can repair to, and a challenge that the creative can strive to surpass...
...fiction," he argues, "the real clash is not between the characters, but between the author and the world." Nabokov's books are conceived like the chess problems that he has composed during the past half-century. He describes in an early novel the miraculous way in which a flat, abstract contrivance (in chess or art) can take on vitality and light: "Little by little, the pieces and squares began to come to life and exchange impressions. The crude might of the queen was transformed into refined power, restrained and directed by a system of sparkling levers; the pawns grew cleverer...
ONLY A YEAR before this, I had gone with my father to visit him at his home and found him suffering from a severe asthma attack. His daughter came to the door in hysterics. We found him lying flat on his back in bed, wheezing and gasping for breath. He could only talk in spurts when the attack eased momentarily. My father grabbed the phone and called a hospital, and I was left alone in the room with George. He gasped for breath, stared at me. "You the one now, Tommy," he said suddenly. He thought he was dying...
Stroheim presents the characters and settings of each shot as directly as possible. Actors rarely overlap one another; all are fully visible; yet he saves his shots from being flat tableaux by placing his actors at different distances from the camera and by enhancing their different depths with lighting. The way he places his "realistic" objects similarly use depth. Prominent natural objects in the foreground play off objects in the background to make the space of each shot real and three-dimensional...