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...nearly doubled. So has the cost of a haircut and a shave on the streets of Karachi. "What can we do?" says barber Shoaib Ahmed, a bachelor who eats all of his meals at a nearby hostel. "If the hotel raises the cost of a roti [a small, flat bread], there is no way then but to raise the haircut prices...

Author: /time Magazine | Title: Dangerous Ground | 7/10/2008 | See Source »

...season's earlier movies based on comic books. It's the fifth, and three of the first four (Iron Man, Wanted and Hellboy II) have been terrific or just short of it. (The Incredible Hulk: not so hot.) It's been one of the best summers in memory for flat-out blockbuster entertainment, and in the wow category, the Nolan film doesn't disappoint. True to format, it has a crusading hero, a sneering villain in Heath Ledger's Joker, spectacular chases - including one with Batman on a stripped-down Batmobile that becomes a motorcycle with monster-truck wheels...

Author: /time Magazine | Title: Batman Is Back — TIME Reviews The Dark Knight | 7/9/2008 | See Source »

...argot - navigate waist-high waves. The area is also a magnet for pro surfers, but they eschew the small stuff and charter boats out to the nearby southern fringes of the Great Barrier Reef, where perfect, empty barrels unload onto jagged coral. When it's flat, there's good fishing and diving...

Author: /time Magazine | Title: Sea Change | 7/9/2008 | See Source »

...Broad, flat, pale and gray may not sound like a formula for pleasure. But you don't know what pleasure is until you've seen Ando's Church of the Light near Osaka, Japan, where two intersecting slots in a rear wall admit sunlight in the form of a glowing cross. And then there's his triumphant Modern Art Museum of Fort Worth, in Texas, a palisade of glass pavilions that touch down mysteriously on a broad reflecting pool...

Author: /time Magazine | Title: Tadao Ando's Elegant Simplicity | 6/19/2008 | See Source »

What the 21st century should look like is still a contested question, but the contest is increasingly going to forms that are not broad, flat, pale and gray. In a world being radically reconfigured by Gehry, Zaha Hadid and Daniel Libeskind, Ando represents the continuing relevance of a more reductive strain of 20th century Modernism. When the Fort Worth museum was commissioned, Ando, now 66, had built widely in Japan but not much outside. By the time it opened six years ago, he was firmly located on the international short list of architects that everybody was after...

Author: /time Magazine | Title: Tadao Ando's Elegant Simplicity | 6/19/2008 | See Source »

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