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Word: flatted (lookup in dictionary) (lookup stats)
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From the Crimson 29-yard line, Maurer passed the ball out to Hurt in the left flat. Before the ball was within three feet of the intended receiver, however, Tracy had swooped in to dive, grab and roll to the ground with the pick...

Author: By Lisa Kennelly, CRIMSON STAFF WRITER | Title: Tracy's Two Interceptions Key Big Play Defense | 10/4/2004 | See Source »

...running back out to the flat and I knew that’s where he was going, and I knew the quarterback was going to throw to him,” Tracy said. “[Defensive coordinator Kevin] Doherty told me on Friday when we were going through films. He said, ‘Sean, he’s not even going to see you coming,’ and he was exactly right...

Author: By Lisa Kennelly, CRIMSON STAFF WRITER | Title: Tracy's Two Interceptions Key Big Play Defense | 10/4/2004 | See Source »

Amid complaints about Blair Witch-style camerawork and flat, reality-show type dialogue, their principal criticism is of the highly ambiguous blend of reality and fiction, which leaves them wondering whether they should trust anything the film says. Only the credits (which list the names of actors who played each role) indicate that it is a work of fiction...

Author: By Julia E. Twarog, CONTRIBUTING WRITER | Title: 9/11 prompts faux documentary | 10/1/2004 | See Source »

...everyone in this movie has their head in the clouds in one way or another: the characters, the director, and the viewer, because there’s no way that this movie is going to work. While the film has its merits, it falls flat on most fronts. In addition to having fairly poor production value—the bulk of the “stunning” Parisian backdrops are clearly matte paintings—the movie’s three primary characters never achieve humanity; they start out as and remain types. Gilda is the extroverted and rambunctious...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 10/1/2004 | See Source »

Though every song shares this bouncy 80’s girl-group aesthetic, several tracks stand out in the mix. The kinetic intro to “Nerves,” the album’s hardest track, betrays any claim that the album is short on flat-out rock, though the vocals still have moments breaking into heavenly high squeal, and it’s a compromise deftly handled by the band. On “Stay / Stay Away” Andersson’s voice reaches levels of emotion seen nowhere else on the album. In a second...

Author: NO WRITER ATTRIBUTED | Title: New Music | 10/1/2004 | See Source »

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