Word: flaubert
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Dates: during 1970-1979
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...British art critic and historian Ian Dunlop, Degas (Harper & Row; 240 pages; $37.50) is by far the best introduction to the life and work of the painter of boulevards and ballet dancers now in print. A student of Ingres's and the great contemporary of Manet, Flaubert Sand the Goncourt brothers, Degas was one of those ocular witnesses without whom the cultural life of France in the 19th century cannot be understood; and no writer has done a better job of placing this tetchy, formidable genius, with his astonishing powers of observation iand his bitter tongue ("Whistler, you behave...
Actually, most of his characters are really aspects of himself. If Flaubert could say "Madame Bovary, c'est moi,"Brooks could c'est the same of Lou, Ted, Rhoda, Phyllis, Murray and the always resistible Sue Ann. "I've identified with everybody but Mary," he admits. Ted's meeting with his long-lost father, the plot of one of the best MTM shows, was based on Brooks' meeting with his own dad, whom he also had not seen in years. Told that he was in a hospital in New Jersey, Brooks walked...
...suffered." Her own novels proved otherwise. Passion, in Colette's experience, dominated life, and she made her theme the pursuit of love, the treacherous ambiguities of sex. The Pure and the Impure, Cheri and The Ripening Seed pulse with an intensity unknown in French literature since Flaubert's letters to Louise Colet or Swann's obsession with Odette in Proust's Remembrance of Things Past...
...Chicago streets. Coney Island, Victorian architecture, Cuban scenes and hundreds of photographs documenting roadside stands, interiors and corners of rooms. In his essay "The Artist of the Real," Alan Trachtenberg suggests Evans' work was inspired not by painters or by other artists, but by literature, the writings of Flaubert, Proust, Joyce, Whitman and Henry James. "He arrived at his proper point of view through the spirit of objective realism, aesthetic autonomy, respect for feeling and epiphany in common life, that he found in their writings." Evans claimed he saw in himself the combination of two people, Parisian street photographer Atget...
Read demonstrates a restrained enthusiasm for bringing these criminals to life on the page. But he also avoids romanticizing them with a league-of-gentlemen myth. Mostly, the sources of his book are an unsavory lot, greedy and loutish. One, however, had a taste for Flaubert and Wittgenstein, another the skill and nerve to become a professional racing-car driver, and a third possessed a spontaneously poetic soul. He greeted the dawn after the successful holdup with lines from Omar Khayyám: "Awake! for Morning in the Bowl of Night/ Has flung the Stone that puts the Stars...