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...dubious. Unfortunately, the orchestra had a tendency, especially in the first movement, to enter just a fraction of a beat behind him, a problem which would not have cropped up if he were not playing. Nonetheless, it was a fine performance, with especially good work by cellist Corinne Flavin and violinist Robert Brink...

Author: By Michael Ryan, | Title: Music The Philharmonia at Sanders, Sunday | 11/24/1970 | See Source »

Cave of the Future. The Modern's rival-and less effective-display, called "Spaces," features five rooms each by a different artist. One, by Dan Flavin, is full of relentlessly glowing fluorescent lights; another, by Larry Bell, is totally dark except for several dimly reflecting glass tubes. Robert Morris created a kind of arctic hothouse, where tiny spruces set in an earth bank simulate an upland for est. Most interesting is the space designed by Franz Erhard Walther, where anybody who comes along is invited to climb into, sit on or play with various canvas objects. This goes...

Author: /time Magazine | Title: Art: Time for Spaces | 2/2/1970 | See Source »

...long way from his early haphazard, boisterous ways. Luminal artists first experimented with the pulsating strobe effects and psychedelic projections that have since moved into discotheques, ballets and boutiques; the newest and most radical works are apt to be calm, cool and minimal. A case in point is Dan Flavin's "Indoor Routines," constructed of 54 pink and gold fluorescent tubes, which turned the main floor of Chicago's Museum of Contemporary Art into a lurid, luminal glen...

Author: /time Magazine | Title: Exhibitions: On All Sides | 5/3/1968 | See Source »

...artists exploring light as an artistic medium. For the Los Angeles County Museum's forthcoming "American Sculpture of the Sixties" show, electricians were readying Stephen Antonakos' Orange Vertical Floor Neon, Chryssa's Fragments for the Gates to Times Square II and an untitled work by Dan Flavin. At the heart of the U.S. pavilion at Montreal's Expo 67, technicians were putting into place Robert Rauschenberg's brand-new illuminated watt-chamacallit...

Author: /time Magazine | Title: Techniques: Luminal Music | 4/28/1967 | See Source »

...process" behind the work of art quickly points up the difference in quality. The good works are enhanced by a view of their formation. For the bad, removing the mystery of their creation merely exposes their absurdity. In general, the poorer sculptures are simplistic works with sententious justifications. Dan Flavin, for instance, exhibits two parallel neon tubes, one yellow-gold, the other blue. The explanation? "Here will be the basic counting marks (primitive abstractions) restated long in the daylight glow of common fluorescent tubes. Such an elemental system becomes possible (ironic) from the context of the previous work." Such...

Author: By Jonathan Boorstin, | Title: Art in Process | 10/1/1966 | See Source »

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