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...times, Hope and Glory tries to be an artsy film, but Boorman should have skipped the ridiculously Freudian dream sequences as well as the numerous subplots which end up being trite. Nor does Boorman's use of newsreel clips and radio speeches give any flavor of the era, partly because the director generally shows us what we've seen before in other movies...

Author: By Ross G. Forman, | Title: Blitzed Out | 11/20/1987 | See Source »

...memory," says veteran mainstager Samuel P. Sifton '88. Calling it a "good time show," Sifton said the production took as much time as some of the ART shows in which he has performed. But, he said in some ways he preferrs doing undergraduate plays because of the "student flavor...

Author: By Ross G. Forman, | Title: The Rise and Shine Of a Mainstage Play | 11/13/1987 | See Source »

Given the good intentions of microbrewers, one might expect all of their products to be delicious. But a tasting of 13 varieties purchased in the New York City area proved this is not quite the case. Among the most disappointing -- because they lacked flavor or because of unpleasantly sharp and metallic aftertastes -- were Manhattan Brewing Co.'s bottled Gold lager and its draught Oktoberfest and Amber beers. In bottles, Anchor's Porter, Liberty Ale and Wheat Beer, Boulder's Porter and Extra Pale Ale lacked authority, as did Minnesota's August Schell's Pilsner and Cold Spring Export "water-made...

Author: /time Magazine | Title: Food: Roll Out the Barrel | 11/9/1987 | See Source »

...says Isozaki, "is of the generation all but dedicated to the job of translating Japanese tradition in terms of modern architecture, and introducing the result to the outside world." Tange's buildings of the '50s and '60s were in the then obligatory International Style but given bits of national flavor -- Japanese-accented Esperanto, with upswept roof edges and exposed concrete beams formed into abstract "timbers." Isozaki's buildings of the '70s and '80s are the converse: instead of Japanizing a universal architectural style, he takes inspiration and ideas from anywhere he chooses, his odd, exciting syntheses unbound either by traditional...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

While the movie doesn't achieve the full poetic vision of David Lynch's Blue Valvet, Tampopo does have a very different flavor to it not found in most, if any, American flicks. This unique feel stems from its Asian perspective on men and women, which is distinct from the Western perspective. Though Gun is set up to be a typical, macho western cowboy hero, he is no Pygmalion. The window Tampopo is neither a statue-like work of art nor an Adam's rib. She is closer to the archetypal woman warrior, strong and in control...

Author: By Michael D. Shin, | Title: Tampopo | 8/11/1987 | See Source »

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