Word: flawless
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Sembrich did her flawless trills in Lucia di Lammermoor at the second performance given in the Metropolitan Opera House. (Downtown at the old Academy of Music Adelina Patti was singing.) Sembrich sang with Caruso when he made his U. S. debut in 1903. She was with the Metropolitan when it visited San Francisco at the time of the great fire. Caruso, who was shaken out of bed, would never sing in San Francisco again. Sembrich was frightened, too. But she stayed to give a concert, earned over $10,000 which she divided between the choristers and the orchestra players...
With the difficult music both were perfectly at ease. The Mozart was graceful and fleet, though Yehudi's tone was sometimes sleazy. The Schumann was richly romantic, the Beethoven flawless in shading and design. The teamwork throughout was beyond approach. Applause was all that bewildered Hephzibah who went on & off stage clinging tightly to Yehudi's hand. He could not make her bow. But if Father and Mother Menuhin have their way Hephzibah will never require a platform manner. Though they have been besieged with offers from all over the U. S., last week's Manhattan appearance...
Behind the flashy running of Tim Reardon and the flawless work of the whole line, Harvard's Freshman football team Saturday swamped a big Green eleven from Hanover by the score of 27-0, exactly equalling the decisive defeat administered the Hanoverians last year by the 1937 yearlings...
Margaret Bruening of the New York Post: "A stunt canvas. ... It has no apparent artistic value-its organization is nil, its color unpleasant." Edward Alden Jewell of the New York Times: "An extraordinarily fine piece of . . . painting. The composition seems flawless; the color orchestration, subtle and convincing." Second prize ($1,000) went to Germany's Karl Hofer for an apathetic picture of three scantily clad males. U. S. Artist Sidney Laufman took the $500 third prize with a pleasant, unexciting Spring Landscape. The Allegheny Garden Club gave André Derain a $300 prize for a vase of roses...
...Crowd was the next Johnson job. In 1931 he was employed on The Band Wagon. His merry-go-round scene and the Pare Monceau set used a two-way revolving stage for the first time. His colors were strong, but not loud, and his grasp of scenic design was flawless. Then indeed was Albert Johnson hailed by critics. Since that time he has had as much work as he could do: Face the Music, Americana, Let 'Em Eat Cake, As Thousands Cheer, Ziegfeld Follies. He has found time to tour Sweden, visit his father in Moscow, have a fling...