Word: flawlessly
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...little of the subtle irony or quick warmth of Cartier-Bresson, for instance; it is not man facing himself, but man facing a huge natural universe. The one real portrait in the show, happily, is magnificent. "Dr. Dexter Perkins" exhibits the photographer as more than a master of the flawless snowscape; it is both artistically and emotionally comprehensible and satisfying. Adams' irritating crispness of vision is relieved in "Woman at Screen Door" by the device of shooting through the screen and using it to soften the subject's face. Otherwise it would be "American Gothic" all over again...
...spite of these shortcomings, the word that kept coming to mind was "exquisite." Jaime Laredo's near-flawless intonation enabled him to give the most moving rendition of the "Kreutzer's" opening double-stop solo I have ever heard. As one member of the audience said, it was a pleasure to sit back and to listen to a violinst without having to cringe. As a team the Laredos often seemed to compete with each other. But when they both agreed on a sound, the effect was breathtaking--as when Mrs. Laredo brought herself to match her husband's pianissimo...
...powerful precision and expressive economy. In the U.S. premiere of his pas de deux for Romeo and Juliet, he evoked muted strains of Romeo's tragic ardor, but the focus was less on his characterization than on the discipline of his whippet leaps and turns and the flawless flow of his carries with Italy's graceful Carla Fracci. Marveled Nureyev: "His technique is too good to be believed...
Varsity coxswain Brian Sullivan took advantage of the moderate tailwind at the start and kept the stroke above 38 for the first quarter mile. The strategy paid off handsomely as Harvard picked up 3 seats and then added another 3 with a flawless settle and power ten at the lower 35. Yale began to fade by the 3/4 mile pole, but Princeton hung on to gain 2 seats on the long dog-leg turn...
...agile and fragile as haiku, She and He lacks the substance of genuine tragedy, but Director Susumu Hani, a onetime documentary film maker, has given the picture a sense of on-location authenticity that transcends its simplistic symbolism. His casting, an amalgam of amateur and professional actors, is flawless. The blind girl literally lives her role; she is truly blind. The ragpicker (Sachiko Hidari), a painter who never acted before, is as narrow as a rice stalk, so emaciated that he sometimes seems to have two profiles in search of a face. But Hidari radiates a beggar's joie...