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Feckless here & there as a show, Mr. Roberts is virtually flawless as a production. Co-Author Logan has directed it brilliantly; everything is timed just right; every character and gesture tells. As Mr. Roberts, Henry Fonda makes his first Broadway performance in eleven years a quietly memorable one. William Harrigan as the captain, David Wayne as a not-too-bright ensign, and above all Robert Keith as a worldly ship's doctor, are in excellent form...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Mar. 1, 1948 | 3/1/1948 | See Source »

...instead of being awed by the grandeur of Beethoven, his audiences leave the recital babbling of the magnificence of Vladimir Horowitz. This is all great fun; whether it is a good thing from an aesthetic point of view is a sore point. At any rate, Horowitz has the most flawless technique of anyone alive, is quite aware of the fact, and plans his programs and performances accordingly...

Author: NO WRITER ATTRIBUTED | Title: Music Box | 1/20/1948 | See Source »

There is no real lead in the play. Top roles are shared by nine men, all of whom happen to be members of the Cambridge City Council. Their acting is well nigh flawless. The plot is centered around the futile and ludicrous efforts of a City Council to elect a mayor from among the members of the Council. To date they have held 319 ballots, and no one has been chosen, though at a point early in the balloting one of the actors had four votes and needed only his own to make him mayor of the city. Fortunately...

Author: NO WRITER ATTRIBUTED | Title: Smash Hit | 1/16/1948 | See Source »

...beard that was white and hoary with age and he made his living as a manufacturer of men's souls. In a way, he was very proud of his job because the souls that he made were very good souls, some of them were almost flawless...

Author: By Age / and Stella Paskudnick, S | Title: Moving and Dreadful Little Story Captures Crimson Literary Award | 12/16/1947 | See Source »

...tradition of the London flat, the racy sophistication, and the intricate shadings of character. "Hands Across The Sea" Depends for plot upon simple mistaken identity; but it is into his people, not action, that Coward throws his efforts here. Basically a tour the forced for Gertrude Lawrence, the apparently flawless supporting cast is spread out in a half-dozen beautiful roles. Uneasy colonials, brash ladies, amorphic gentlemen all flow around the sparkling currents of Miss Lawrence's personality and Mr. Coward's lightest lines in a piece which is to the best degree pure entertainment...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 11/21/1947 | See Source »

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