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...INTENSITY and value are the keys to any understanding of how color operates in art, and it is the fatal flaw of this show that it gives no clear definition of those three words. Very simply, hue is what shade-blue, green, red, yellow. Value refers to how close to white or black the hue is, and intensity is how pure the hue is-how free it is from dilution with white or black...

Author: By Kathy Garrett, | Title: Drop Your Greens and Blues | 5/10/1974 | See Source »

...looks like the WFL has dangerous tendencies to start the Rozelle way. After the Dolphin desertion followed a deluge of consistent talent--Calvin Hill, Ken Stabler, Ted Kwalik, and Nick Buoniconti. The only flaw with all the money spent to get these guys was the possibility that it was finite. And thus a ray of hope for connoisseurs of the brilliant balmy vagaries of the busted play. Hopefully, the Lucre/Lunatic law would take effect: an imbalance of money would leave room for a whole new generation of eccentrics...

Author: By Tim Carlson, | Title: Light Whitening | 5/9/1974 | See Source »

Clive dutifully livens his exposition by suggesting the obligatory sinister Victorian flaw. Macaulay, a lifelong bachelor, loved his younger sisters Margaret and Hannah more than a brother should. Working from this clue of psychological incest, Clive submits that Macaulay was a suppressed romantic, smoldering behind a mask of rationality. He even labors to make him a man of our time: asserting the intellectual capabilities and working performance of the black race, and defending the rights of Roman Catholics and Jews...

Author: /time Magazine | Title: Books: Victorian Bust | 4/22/1974 | See Source »

...cited the "blueprinting" tendency of the American system--each person's viewing himself as an isolated entity in an effort to view social problems objectively--as a basic flaw of commissions studying social problems...

Author: By Joan F. Benca, | Title: Sociologist Says Individualism Is Anathema to Social Change | 3/28/1974 | See Source »

...biographical sketches that deal with him are full of preposterous errors." Blotner's years of research, therefore, were spent in a noble cause. How, then, did things go so wrong? The author's foreword offers a clue to his-and much of modern biography's-ruling flaw. He has written, says Blotner, a biography of the works as well as the author, "since each element of them was in some sense a product of his total life." In short, whatever adds bulk to the "total life experience" has got to be important...

Author: /time Magazine | Title: Books: Footnotes to Genius | 3/25/1974 | See Source »

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