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Nevertheless, despite the heavy pressure from right and left, Bosch might have stayed in power. But his administration suffered from a momentous strategic flaw: the president's inflexibility. During his years of exile, Bosch's political sense was developed from textbook democracy and the model of United States politics. As a result, Bosch tried to rule from theory, not from pragmatic understanding of Dominican needs...

Author: By Peter H. Darrow, | Title: Dominican Military Take-Over Offers Latin American Lesson | 10/15/1963 | See Source »

...almost all excellently portrayed. They are easier to do, since the characters never change during the play. Only Cleopatra changes; Caesar, since he contains within him all characteristics, cannot be said to change in any essential way. Everybody else is a two-dimensional person. This would be a flaw in most plays; but not here. Shaw intentionally surrounded his two stars with people who are not original. They are fixed beings, and act only from habit or system. For Caesar (and for Shaw) such people are fools--but indisponsable all the same...

Author: By Caldwell Titcomb, | Title: 'Caesar & Cleopatra' at Stratford | 8/6/1963 | See Source »

Mondo Cane has one big flaw: the script, written by Jacopetti. The real impact of this film is visual; its point is adequately made by the sequences themselves and the way they are cut. Any narration beyond a minimal identification of what is on the screen is superfluous, and Jacopetti's is not only superfluous but also annoyingly stupid, full of bad puns, idiotic prejudices, clumsy writing, and leaden sarcasm...

Author: By Hendrik Hertzberg, | Title: `Mondo Cane' | 8/2/1963 | See Source »

...that's not a bad theme for a novel. Every story has been told before, so one cannot hold that against Miss Maraini. But there is one major flaw to this particular rendition. Enrica apparently finds happiness only in her relationship with Cesare, an unfeeling and mercenary law student, who continues to sleep with her until 10 days before his wedding. Yet Enrica's love is totally inexplicable, incredibly far-fetched. One gets no feeling that her redemption lies in love, because it just simply is not there, despite her repeated pleadings to share Cesare...

Author: By Steven V. Roberts, | Title: Lost Youth, Again | 7/30/1963 | See Source »

...find no fault with Carnovsky's handling of his subdued dementia, the reconciliation with Cordelia, and his death--with one exception, and this seems a serious flaw...

Author: By Caldwell Titcomb, | Title: Impressive 'Lear' at Stratford | 7/1/1963 | See Source »

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